Life's Little Ironies: A set of tales with some colloquial sketches entitled A Few Crusted Characters — John Shaqi
Life's Little Ironies: A set of tales with some colloquial sketches entitled A Few Crusted CharactersHardy, Thomas
General
Life's Little Ironies: A set of tales with some colloquial sketches entitled A Few Crusted Characters
Hardy, Thomas
Short stories, English; Wessex (England) -- Fiction
As they went homeward, and recovered their complexions and contours,
the similarities one by one disappeared, and Frances and Mr. Millborne
were again masked by the commonplace differences of sex and age. It was
as if, during the voyage, a mysterious veil had been lifted,
temporarily revealing a strange pantomime of the past.
During the evening he said to her casually: ‘Is your step-father a
cousin of your mother, dear Frances?’
‘Oh, no,’ said she. ‘There is no relationship. He was only an old
friend of hers. Why did you suppose such a thing?’
He did not explain, and the next morning started to resume his duties
at Ivell.
Cope was an honest young fellow, and shrewd withal. At home in his
quiet rooms in St. Peter’s Street, Ivell, he pondered long and
unpleasantly on the revelations of the cruise. The tale it told was
distinct enough, and for the first time his position was an
uncomfortable one. He had met the Franklands at Exonbury as
parishioners, had been attracted by Frances, and had floated thus far
into an engagement which was indefinite only because of his inability
to marry just yet. The Franklands’ past had apparently contained
mysteries, and it did not coincide with his judgment to marry into a
family whose mystery was of the sort suggested. So he sat and sighed,
between his reluctance to lose Frances and his natural dislike of
forming a connection with people whose antecedents would not bear the
strictest investigation.
A passionate lover of the old-fashioned sort might possibly never have
halted to weigh these doubts; but though he was in the church Cope’s
affections were fastidious—distinctly tempered with the alloys of the
century’s decadence. He delayed writing to Frances for some while,
simply because he could not tune himself up to enthusiasm when worried
by suspicions of such a kind.
Meanwhile the Millbornes had returned to London, and Frances was
growing anxious. In talking to her mother of Cope she had innocently
alluded to his curious inquiry if her mother and her step-father were
connected by any tie of cousinship. Mrs. Millborne made her repeat the
words. Frances did so, and watched with inquisitive eyes their effect
upon her elder.
‘What is there so startling in his inquiry then?’ she asked. ‘Can it
have anything to do with his not writing to me?’
Her mother flinched, but did not inform her, and Frances also was now
drawn within the atmosphere of suspicion. That night when standing by
chance outside the chamber of her parents she heard for the first time
their voices engaged in a sharp altercation.
The apple of discord had, indeed, been dropped into the house of the
Millbornes. The scene within the chamber-door was Mrs. Millborne
standing before her dressing-table, looking across to her husband in
the dressing-room adjoining, where he was sitting down, his eyes fixed
on the floor.
Public-domain text, read in full here on John Shaqi.
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