East End (London, England) -- Fiction; London (England) -- Social conditions -- Fiction; Social settlements -- Fiction
“My brother comes here to-night,” Cynthia stated abruptly. “He’s going
to bring a magic lantern for the men, and show them some of his Chinese
slides.”
“I’m so glad,” said Muriel gratefully.
“Do you like him?” Cynthia asked.
“Like your brother? Of course, very much.”
“So little as that?” cried Cynthia laughing wistfully. “Oh, Muriel,
Muriel!” Muriel colored and frowned. It was a subject that visibly
annoyed her, and which she tried to ignore. Dr. Grant had been very kind
to the club. She had tried to believe he was interested in the work; it
was a little baffling to find it hinted that it might be the worker.
Cynthia watched her carefully. “Is there nothing besides the work?” she
thought to herself. She introduced the subject of a meal, and Muriel
laughingly discovered she had forgotten her lunch.
“You were writing letters at lunch time, weren’t you?” suggested
Cynthia.
CHAPTER XII
“Mercy every way
Is infinite—and who can say?”
THERE was a high west wind, and the dust swirled in clouds at the street
corners. It was the kind of wind that never lets one alone, and is
constantly drawing attention to the inconveniences of one’s clothing.
The clouds were the dull brown of approaching rain, drifting in rags
across the chilly sky. Cynthia Grant, who had been all the night before
and half the day through fighting over the undesirable life of a mother
and child, felt almost aggrieved that she had saved them both. “What did
I want to do it for? The whole system’s rotten! Why should it be
considered mercy to prolong the agony instead of cutting it short? I
don’t care for the woman; I hate the child; and, even if I liked them
both, I don’t think their lives worth living. Why that drunken brute of
a husband, who is always throwing chairs at the poor thing, should say
‘Thank God!’ when I told him she’d live is a puzzle; he could easily
have got some one fresh to throw chairs at, and the brat is only one
mouth more to feed! I feel far more sympathy for that woman with ten
children who told me she had had ‘no churchyard luck’.” She chuckled
grimly to herself, and looked with a tolerant, amused gaze at the narrow
alley, with its children at play in the gutters, wizened and old, with
sharp, cruel, degraded little faces, slatternly women at doors, and
skulking forms, that were scarcely human, lurking in corners and in the
wretched rooms that were called “living,” a phrase more applicable to
the vermin that inhabited them than the half-human creatures that
sprawled there. It was a bad alley, and the tough knotted stick in
Cynthia’s hand did not look out of place.
Public-domain text, read in full here on John Shaqi.
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