East End (London, England) -- Fiction; London (England) -- Social conditions -- Fiction; Social settlements -- Fiction
“Yes,” she thought to herself, “Muriel must be impelled by some pretty
desperate attraction to give up her life to this sort of thing. It will
make her old before her time. And as for the people here, her influence
will probably cease as most influence does with her presence, and
trickle off them as easily as water off a duck’s back. As for me, I
suppose I might as well be _here_ as anywhere else—now.”
She looked at the sky and wondered what poets saw in it. It suggested to
her nothing but the need of a broom. She was tired out when she reached
rooms over the club, and glad of the tea Muriel had prepared for her.
Muriel could not stay, for it was the time when her girls came out of
the factory, and she must be ready to meet them. She was in one of her
merriest and brightest moods. The gloom of the outside world could not
touch her; even the sordid misery of the streets she had visited that
afternoon only seemed to her vistas of future sunshine. She believed in
no sympathy that stopped at sorrow; but it was because she believed so
deeply in the reality of sorrow that she knew the certainty of joy.
“What makes you so happy?” said Cynthia wistfully; “I see nothing to
cause it.” Muriel wrinkled her eyebrows as she always did when puzzled.
Geoff called it her “frowning for a vision,” and compared it to a
sailor’s whistling for a wind. At last the partial vision came.
“I don’t see why it should be so difficult to be happy,” she said. “All
that one hasn’t got is bound to come some day; all that one truly _has_
will never go. And when one is quite sure of that oneself, it is
beautiful to be able to encourage one’s bit of the world to go on
waiting for _their_ bright side. And how good and bright and dear things
really are if we only come to look through them, and don’t make
_culs-de-sac_ of sorrows. If love is the key of the world, joy is the
hand that turns it, I feel sure. To make a creed of joy and a fact of
love is to win half the battles, and be ready to fight the other half.
But you know all this just as well as I do, and practise it far
better—so what’s the use of talking? Simple things become mysteries
directly you try to explain them. Mind you rest and sleep. I’ll be back
for supper,” and she disappeared. It grew dark in the room afterwards.
CHAPTER XIII
“This world’s judgment cries ‘Consequences,’ and leaves it to a
higher court to take account of Aims.”
IT was decided that one more effort should be made to rescue Muriel
Dallerton.
Mary Huntly, persuaded by her husband, wrote asking her for two days
early in the season.
Cynthia peremptorily ordered her to go, and she went.
The weather in the opening charm of June would to most people have been
better spent in the country; only London lovers felt the greater charm
of the full, bright season set in the green freshness of the Park.
Public-domain text, read in full here on John Shaqi.
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