French fiction -- 20th century; World War, 1914-1918 -- Fiction
At other times Marie reads to herself, quite silently. I surprise her
absorbed in this occupation. It even happens that she applies herself
thus to poetry. In her set and stooping face her eyes come and go over
the abbreviated lines of the verses. From time to time she raises them
and looks up at the sky, and--vastly further than the visible sky--at
all that escapes from the little cage of words.
And sometimes we are lightly touched with boredom.
* * * * * *
One evening Marie informed me that the canary was dead, and she began
to cry, as she showed me the open cage and the bird which lay at the
bottom, with its feet curled up, as rumpled and stark as the little
yellow plaything of a doll. I sympathized with her sorrow; but her
tears were endless, and I found her emotion disproportionate.
"Come now," I said, "after all, a bird's only a bird, a mere point that
moved a little in a corner of the room. What then? What about the
thousands of birds that die, and the people that die, and the poor?"
But she shook her head, insisted on grieving, tried to prove to me that
it was momentous and that she was right.
For a moment I stood bewildered by this want of understanding; this
difference between her way of feeling and mine. It was a disagreeable
revelation of the unknown. One might often, in regard to small
matters, make a multitude of reflections if one wished; but one does
not wish.
* * * * * *
My position at the factory and in our quarter is becoming gradually
stronger. By reason of a regular gratuity which I received, we are at
last able to put money aside each month, like everybody.
"I say!" cried Crillon, pulling me outside with him, as I was coming in
one evening; "I must let you know that you've been spoken of
spontanially for the Town Council at the next renewment. They're
making a big effort, you know. Monsieur the Marquis is going to stand
for the legislative elections--but we've walked into the other
quarter," said Crillon, stopping dead. "Come back, come back."
We turned right-about-face.
"This patriotic society of Monsieur Joseph," Crillon went on, "has done
a lot of harm to the anarchists. We've all got to let 'em feel our
elbows, that's necessential. You've got a foot in the factory, eh?
You see the workmen; have a crack of talk with 'em. You ingreasiate
yourself with 'em, so's some of 'em'll vote for you. For _them's_ the
danger."
"It's true that I am very sympathetic to them," I murmured, impressed
by this prospect.
Public-domain text, read in full here on John Shaqi.
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