French fiction -- 20th century; World War, 1914-1918 -- Fiction
Perhaps it is because of this dismal companion towards whom I turn my
head, and whom I see trotting slowly and painfully at my side in the
rumbling grayness of the evening exodus, that I have a sudden and
tragic vision of the people, as in a flash's passing. (I do sometimes
get glimpses of the things of life momentarily.) The dark doorway to
my vision seems torn asunder. Between these two phantoms in front the
sable swarm outspreads. The multitude encumbers the plain that
bristles with dark chimneys and cranes, with ladders of iron planted
black and vertical in nakedness--a plain vaguely scribbled with
geometrical lines, rails and cinder paths--a plain utilized yet barren.
In some places about the approaches to the factory cartloads of clinker
and cinders have been dumped, and some of it continues to burn like
pyres, throwing off dark flames and darker curtains. Higher, the hazy
clouds vomited by the tall chimneys come together in broad mountains
whose foundations brush the ground and cover the land with a stormy
sky. In the depths of these clouds humanity is let loose. The immense
expanse of men moves and shouts and rolls in the same course all
through the suburb. An inexhaustible echo of cries surrounds us; it is
like hell in eruption and begirt by bronze horizons.
At that moment I am afraid of the multitude. It brings something
limitless into being, something which surpasses and threatens us; and
it seems to me that he who is not with it will one day be trodden
underfoot.
My head goes down in thought. I walk close to Marcassin, who gives me
the impression of an escaping animal, hopping through the
darkness--whether because of his name,[1] or his stench, I do not know.
The evening is darkening; the wind is tearing leaves away; it thickens
with rain and begins to nip.
[Footnote 1: _Marcassin_--a young wild boar.--Tr.]
My miserable companion's voice comes to me in shreds. He is trying to
explain to me the law of unremitting toil. An echo of his murmur
reaches my face.
"And that's what one hasn't the least idea of. Because what's nearest
to us, often, one doesn't see it."
"Yes, that's true," I say, rather weary of his monotonous complaining.
I try a few words of consolation, knowing that he was recently married.
"After all, no one comes bothering you in your own little corner.
There's always that. And then, after all, you're going home--your wife
is waiting for you. You're lucky----"
"I've no time; or rather, I've no strength. At nights, when I come
home I'm too tired--I'm too tired, you understand, to be happy, you
see. Every morning I think I shall be, and I'm hoping up till noon;
but at night I'm too knocked out, what with walking and rubbing for
eleven hours; and on Sundays I'm done in altogether with the week.
There's even times that I don't even wash myself when I come in. I
just stay with my hands mucky; and on Sundays when I'm cleaned up, it's
a nasty one when they say to me, 'You're looking well.'"
Public-domain text, read in full here on John Shaqi.
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