French fiction -- 20th century; World War, 1914-1918 -- Fiction
And while I am listening to the tragicomical recital which he retails,
like a soliloquy, without expecting replies from me--luckily, for I
should not know how to answer--I can, in fact, recall those holidays
when the face of Pétrolus is embellished by the visible marks of water.
"Apart from that," he goes on, withdrawing his chin into the gray
string of his over-large collar; "apart from that, Charlotte, she's
very good. She looks after me, and tidies the house, and it's her that
lights _our_ lamp; and she hides the books carefully away from me so's
I can't grease 'em, and my fingers make prints on 'em like criminals.
She's good, but it doesn't turn out well, same as I've told you, and
when one's unhappy everything's favorable to being unhappy."
He is silent for a while, and then adds by way of conclusion to all he
has said, and to all that one can say, "_My_ father, he caved in at
fifty. And I shall cave in at fifty, p'raps before."
With his thumb he points through the twilight at that sort of indelible
darkness which makes the multitude, "Them others, it's not the same
with them. There's those that want to change everything and keep going
on that notion. There's those that drink and want to drink, and keep
going that way."
I hardly listen to him while he explains to me the grievances of the
different groups of workmen, "The molders, monsieur, them, it's a
matter of the gangs----"
Just now, while looking at the population of the factory, I was almost
afraid; it seemed to me that these toilers were different sorts of
beings from the detached and impecunious people who live around me.
When I look at this one I say to myself, "They are the same; they are
all alike."
In the distance, and together, they strike fear, and their combination
is a menace; but near by they are only the same as this one. One must
not look at them in the distance.
Pétrolus gets excited; he makes gestures; he punches in and punches out
again with his fist, the hat which is stuck askew on his conical head,
over the ears that are pointed like artichoke leaves. He is in front
of me, and each of his soles is pierced by a valve which draws in water
from the saturated ground.
"The unions, monsieur----" he cries to me in the wind, "why, it's
dangerous to point at them. You haven't the right to think any
more--that's what they call liberty. If you're in _them_, you've got
to be agin the parsons--(I'm willing, but what's that got to do with
labor?)--and there's something more serious," the lamp-man adds, in a
suddenly changed voice, "you've got to be agin the army,--the _army_!"
And now the poor slave of the lamp seems to take a resolution. He
stops and devotionally rolling his Don Quixote eyes in his gloomy,
emaciated face, he says, "_I'm_ always thinking about something. What?
you'll say. Well, here it is. I belong to the League of Patriots."
Public-domain text, read in full here on John Shaqi.
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