Light and Colour Theories, and their relation to light and colour standardizationLovibond, Joseph W. (Joseph Williams)
Science
Light and Colour Theories, and their relation to light and colour standardization
Lovibond, Joseph W. (Joseph Williams)
Color; Light
On the other hand, an abnormal light may be too low for the vision to
discriminate colour. This may be observed in nature by the gradual loss
of colour in flowers, etc., in the waning intensities of evening light.
The order of their disappearance is shown in Chart I.
CHAPTER V.
Standard White Light.
The colour of a substance is determined by the ray composition of
the light it reflects, or transmits to the vision, the colour would
therefore vary with every change in the ray proportions of the incident
light; it follows that constancy in colour measurement can only be
obtained by a colourless light. Up to the present diffused daylight is
the only light which complies with the condition of ray equality.
The absolute equality of the six spectrum colours may be difficult
to establish in any light, and their constancy in equivalence under
varying light intensities may be open to argument. But, as everyday
work is carried on mainly under daylight conditions, and as the vision
is the final arbiter for colour work, theoretical questions outside the
discriminating power of the vision, need be no bar to the establishment
of a working standard white light; and in saying that diffused daylight
is normal white, it is only intended to mean: In so far as a normal
vision can determine.
Apart from any theoretical explanation it is an experimental fact, that
the abnormal rays of direct sunlight, and some artificial lights, may
be so modified by diffusion as to be available for a limited range of
colour work. In the case of diffused north sunlight, when taken from
opposite the sun’s meridian, the modification is sufficient to make it
available as a standard white light. In the case of artificial lights,
their use is, as yet, limited to visual matching (not recording) and
arbitrary comparisons.
THE BLACK UNIT.
Ideal black is total absence of light, and can only be realized as a
sensation, in the presence of light, which may however be in contrast
or in association.
The nearest approach to ideal black by contrast, is to view a hole in
a box with a blackened interior, so arranged that no light entering
the hole, can be reflected back to the vision: in this way associated
light, if not entirely absent, is reduced to a minimum and total
darkness is practically realized by the vision in contrast with the
surrounding light.
Pigmentary black viewed under diffused daylight conditions is always
associated with white light, as no substance, however black it may
be, absorbs all the impinging light; as examples, the following
measurements of three white and three black pigments were made at an
angle of 45 degrees with a light intensity of 25 units.
This is a true quantitative analysis of the 25 units of white light
after reflection from the black pigments. The black units represent
the proportion of white light absorbed, whilst the beams reflected
from the pigments consist of the colour values developed which are
associated with the unabsorbed white light.
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