Light and Colour Theories, and their relation to light and colour standardizationLovibond, Joseph W. (Joseph Williams)
Science
Light and Colour Theories, and their relation to light and colour standardization
Lovibond, Joseph W. (Joseph Williams)
Color; Light
=The Applications of Colour to the Work of Everyday Life= are so
universal that a complete list is almost impossible, though some of
the most important are mentioned below. In a general way the visual
characteristics of every visible object are determined by contrasts of
light and colour, outline itself being governed by differences of light
intensity.
In Nature, colour is practically universal. There are few objects
perfectly white. Most of them have colour of greater or less
complexity; even snow under a cloudless sky has a blue tint which
is measurable against such white objects as pure lime sulphate,
zinc white, etc., the blue tint being manifestly reflected from the
cloudless sky, as it disappears under a cloudy overcast.
=Some of the Scientific Applications of Colour.=--It associates colour
sensations with definite names and values; discovers and classifies
cases of colour-blindness, and is a preparation for the physical
study of light. It is also essential for studying the physiological
structure of the organs of vision, for disclosing abnormal conditions
of the blood, and for measuring the colour of the hair and skin for
the anthropological classification of races. It is used in general
laboratory work for analytical and original investigation; and
it furnishes standards of value for the petroleum industry, the
International Tanning Association, the inter-States Cotton Seed Oil
Association, etc. It is also one of the principal factors in all
artistic industries; for, besides having an important educational
value in questions of harmony, contrast, and taste, it is of direct
commercial value in such industries as dyeing, calico printing,
all woollen industries, wall-paper printing, paint making, house
decoration, etc.
=General Instructions for Using the Apparatus.=--The apparatus consists
of a frame having six little windows, fitted with sliding shutters, and
a tray containing eighteen standardized glasses.
The frame must be placed on a table or stand facing the children, with
a window or some other source of diffused white light behind it. Care
must be taken not to have a coloured background of any kind.
The glasses are in three colours, Red, Yellow, and Blue, of different
depths. The depth of colour is marked in figures on each glass, and
corresponding numbers in the three colours are of equal intensity. It
is of importance that the six spectrum colour terms should be the only
ones used in the preliminary stages. The first step in colour teaching
must be to develop and train the perceptive faculties of the children
so as to enable them to express in words the colour sensations which
are excited. For this purpose it is necessary to begin by demonstrating
that the six spectrum colours Red, Orange, Yellow, Green, Blue, and
Violet, are derived from white light.
Public-domain text, read in full here on John Shaqi.
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