Light and Colour Theories, and their relation to light and colour standardizationLovibond, Joseph W. (Joseph Williams)
Science
Light and Colour Theories, and their relation to light and colour standardization
Lovibond, Joseph W. (Joseph Williams)
Color; Light
1. Normal white light is made up of the six colour rays, Red, Orange,
Yellow, Green, Blue and Violet in equal proportions. When these rays
are in unequal proportions the light is abnormal and coloured.
2. The particular colour of an abnormal beam is that of the
one preponderating ray, if the colour be simple, or of the two
preponderating rays if the colour be complex. The depth of colour is in
proportion to the preponderance.
3. The rays of a direct light are in a different condition to the
same rays after diffusion, and give rise to a different set of colour
phenomena.
Laws 4, 5, 6, and 7 deal with The Limitations of the Vision to
appreciate Colour.
4. The vision is not simultaneously sensitive to more than two colours
in the same beam of light. The colour of any other abnormal ray is
merged in the luminosity of the beam.
5. The two colours to which the vision is simultaneously sensitive
are always adjacent in their spectrum order, Red and Violet being
considered adjacent for this purpose.
6. The vision is unable to appreciate colour in an abnormal beam
outside certain limits, from two causes:
(_a_) The colour of an abnormal beam may be masked to the vision from
excess of luminosity.
(_b_) The luminous intensity of the abnormal beam may be too low to
excite definite colour sensations.
7. The vision has a varying rate of appreciation for different colours
by time, the lowest being for red. The rate increases in rapidity
through the spectrum, until the maximum rate is reached with violet.
And since this varying rate necessitates a time limit for critical
observations, five seconds has been adopted as the limit, no variations
being perceptible in that time.
Laws 8 and 9 relate to Colour Constants.
8. The colour of a given substance of a given thickness is constant so
long as the substance itself, and the conditions of observation, remain
unaltered.
9. Every definite substance has its own specific rate of colour
development for regularly increasing thicknesses.
CHAPTER III.
Evolution of the Unit.
The dimensions of the light and colour unit here adopted, together
with the scales of division, were in the first instance physiological,
depending entirely on the skill of normal visions for exactitude. The
co-relation of equal values in the different colour scales, was secured
by an elaborate system of cross-checking, rendered necessary because
the establishment of a perfectly colourless neutral tint unit, demanded
an exact balance in values of the different colour scales. These scales
have stood the test of many years’ work by many observers, and in no
case has any alteration been required. The original set is still in use.
The first point which required consideration after the want of standard
colour scales was realized, was the basis and dimensions of the unit.
So far as the writer knew there was no published information bearing on
this which could be used as a guide.
Public-domain text, read in full here on John Shaqi.
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