English drama -- 20th century; English fiction -- 20th century; Short stories, English
"Moonlight is the proper architectural light," said Guy, as they stood
looking at the house. The white light and the hard black shadows
brought out all the elegance of its Georgian symmetry.
"Look, here's the ghost of a rose." Marjorie touched a big cool
flower, which one guessed rather than saw to be red, a faint equivocal
lunar crimson. "And, oh, smell the tobacco-plant flowers. Aren't they
delicious!"
"I always think there's something very mysterious about perfume
drifting through the dark like this. It seems to come from some
perfectly different immaterial world, peopled by unembodied
sensations, phantom passions. Think of the spiritual effect of incense
in a dark church. One isn't surprised that people have believed in the
existence of the soul."
They walked on in silence. Sometimes, accidentally, his hand would
brush against hers in the movement of their march. Guy felt an
intolerable emotion of expectancy, akin to fear. It made him feel
almost physically sick.
"Do you remember," he said abruptly, "that summer holiday our families
spent together in Wales? It must have been nineteen four or five. I
was ten and you were eight or thereabouts."
"Of course I remember," cried Marjorie. "Everything. There was that
funny little toy railway from the slate quarries."
"And do you remember our gold-mine? All those tons of yellow ironstone
we collected and hoarded in a cave, fully believing they were nuggets.
How incredibly remote it seems!"
"And you had a wonderful process by which you tested whether the stuff
was real gold or not. It all passed triumphantly as genuine, I
remember!"
"Having that secret together first made us friends, I believe."
"I dare say," said Marjorie. "Fourteen years ago--what a time! And you
began educating me even then: all that stuff you told me about
gold-mining, for instance."
"Fourteen years," Guy repeated reflectively, "and I shall be going out
again to-morrow . . ."
"Don't speak about it. I am so miserable when you're away." She
genuinely forgot what a delightful summer she had had, except for the
shortage of tennis.
"We must make this the happiest hour of our lives. Perhaps it may be
the last we shall be together." Guy looked up at the moon, and he
perceived, with a sudden start, that it was a sphere islanded in an
endless night, not a flat disk stuck on a wall not so very far away.
It filled him with an infinite dreariness; he felt too insignificant
to live at all.
"Guy, you mustn't talk like that," said Marjorie appealingly.
Public-domain text, read in full here on John Shaqi.
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