English drama -- 20th century; English fiction -- 20th century; Short stories, English
They had stepped out of the cavernous alley into the moonlight. She
could see him clearly now, and there was something so drooping and
dejected and pathetic about him, he seemed so much of a great,
overgrown child that a wave of passionate pitifulness rushed through
her, reinforcing other emotions less maternal. She longed to take him
in her arms, stroke his hair, lullaby him, baby-fashion, to sleep upon
her breast. And Guy, on his side, desired nothing better than to give
his fatigues and sensibilities to her maternal care, to have his eyes
kissed fast, and sleep to her soothing. In his relations with
women--but his experience in this direction was deplorably small--he
had, unconsciously at first but afterwards with a realization of what
he was doing, played this child part. In moments of self-analysis he
laughed at himself for acting the "child stunt," as he called it. Here
he was--he hadn't noticed it yet--doing it again, drooping, dejected,
wholly pathetic, feeble . . .
Marjorie was carried away by her emotion. She would give herself to
her lover, would take possession of her helpless, pitiable child. She
put her arms round his neck, lifted her face to his kisses, whispered
something tender and inaudible.
Guy drew her towards him and began kissing the soft, warm mouth. He
touched the bare arm that encircled his neck; the flesh was resilient
under his fingers; he felt a desire to pinch it and tear it.
It had been just like this with that little slut Minnie. Just the
same--all horrible lust. He remembered a curious physiological fact
out of Havelock Ellis. He shuddered as though he had touched something
disgusting, and pushed her away.
"No, no, no. It's horrible; it's odious. Drunk with moonlight and
sentimentalizing about death. . . . Why not just say with Biblical
frankness, Lie with me--Lie with me?"
That this love, which was to have been so marvellous and new and
beautiful, should end libidinously and bestially like the affair,
never remembered without a shiver of shame, with Minnie (the vulgarity
of her!)--filled him with horror.
Marjorie burst into tears and ran away, wounded and trembling, into
the solitude of the hornbeam shadow. "Go away, go away," she sobbed,
with such intensity of command that Guy, moved by an immediate remorse
and the sight of tears to stop her and ask forgiveness, was
constrained to let her go her ways.
A cool, impersonal calm had succeeded almost immediately to his
outburst. Critically, he examined what he had done, and judged it, not
without a certain feeling of satisfaction, to be the greatest
"floater" of his life. But at least the thing was done and couldn't be
undone. He took the weak-willed man's delight in the irrevocability of
action. He walked up and down the lawn smoking a cigarette and
thinking, clearly and quietly--remembering the past, questioning the
future. When the cigarette was finished he went into the house.
Public-domain text, read in full here on John Shaqi.
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