English drama -- 20th century; English fiction -- 20th century; Short stories, English
George poured forth. He had just spent six months at Chelsea--six
dreary months on the barrack square; but there had been lucid
intervals between the drills and the special courses, which he had
filled with many notable voyages of discovery among unknown worlds.
And chiefly, Columbus to his own soul, he had discovered all those
psychological intricacies and potentialities, which only the passions
bring to light. _Nosce teipsum_, it has been commanded; and a
judicious cultivation of the passions is one of the surest roads to
self-knowledge. To George, at barely twenty, it was all so amazingly
new and exciting, and Guy listened to the story of his adventures with
admiration and a touch of envy. He regretted the dismal and cloistered
chastity--broken only once, and how sordidly! Wouldn't he have learnt
much more, he wondered--have been a more real and better human being
if he had had George's experiences? He would have profited by them
more than George could ever hope to do. There was the risk of George's
getting involved in a mere foolish expense of spirit in a waste of
shame. He might not be sufficiently an individual to remain himself in
spite of his surroundings; his hand would be coloured by the dye he
worked in. Guy felt sure that he himself would have run no risk; he
would have come, seen, conquered, and returned intact and still
himself, but enriched by the spoils of a new knowledge. Had he been
wrong after all? Had life in the cloister of his own philosophy been
wholly unprofitable?
He looked at George. It was not surprising that the ladies favoured
him, glorious ephebus that he was.
"With a face and figure like mine," he reflected, "I shouldn't have
been able to lead his life, even if I'd wanted to." He laughed
inwardly.
"You really must meet her," George was saying enthusiastically.
Guy smiled. "No, I really mustn't. Let me give you a bit of perfectly
good advice. Never attempt to share your joys with anyone else. People
will sympathize with pain, but not with pleasure. Good night, George."
He bent over the pillow and kissed the smiling face that was as smooth
as a child's to his lips.
Guy lay awake for a long time, and his eyes were dry and aching before
sleep finally came upon him. He spent those dark interminable hours
thinking--thinking hard, intensely, painfully. No sooner had he left
George's room than a feeling of intense unhappiness took hold of him.
"Distorted with misery," that was how he described himself; he loved
to coin such phrases, for he felt the artist's need to express as well
as to feel and think. Distorted with misery, he went to bed; distorted
with misery, he lay and thought and thought. He had, positively, a
sense of physical distortion: his guts were twisted, he had a hunched
back, his legs were withered. . . .
Public-domain text, read in full here on John Shaqi.
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