English drama -- 20th century; English fiction -- 20th century; Short stories, English
As I walked back, I wondered who on earth--or rather who in
heaven--Lykeham could be. For here was chaste Cynthia giving herself
to him in the most unequivocal fashion. Could he be Endymion? No, the
idea was too preposterous to be entertained for a moment. But I could
think of no other loved by the virgin moon. Yet surely I seemed dimly
to recollect that there had been some favoured god; for the life of me
I could not remember who. All the way back along the river path I
searched my mind for his name, and always it eluded me.
But on my return I looked up the matter in Lemprière, and almost died
of laughing when I discovered the truth. I thought of Lykeham's
Venetian mirror and his complacent side glances at his own image, and
his belief that he was Apollo, and I laughed and laughed. And when,
considerably after midnight, Lykeham got back to college, I met him in
the porch and took him quietly by the sleeve, and in his ear I
whispered, "GOAT-FOOT," and then I roared with laughter once again.
THE BOOKSHOP
IT seemed indeed an unlikely place to find a bookshop. All the other
commercial enterprises of the street aimed at purveying the barest
necessities to the busy squalor of the quarter. In this, the main
arterial street, there was a specious glitter and life produced by the
swift passage of the traffic. It was almost airy, almost gay. But all
around great tracts of slum pullulated dankly. The inhabitants did
their shopping in the grand street; they passed, holding gobbets of
meat that showed glutinous even through the wrappings of paper; they
cheapened linoleum at upholstery doors; women, black-bonneted and
black-shawled, went shuffling to their marketing with dilapidated bags
of straw plait. How should these, I wondered, buy books? And yet there
it was, a tiny shop; and the windows were fitted with shelves, and
there were the brown backs of books. To the right a large emporium
overflowed into the street with its fabulously cheap furniture; to the
left the curtained, discreet windows of an eating-house announced in
chipped white letters the merits of sixpenny dinners. Between, so
narrow as scarcely to prevent the junction of food and furniture, was
the little shop. A door and four feet of dark window, that was the
full extent of frontage. One saw here that literature was a luxury; it
took its proportionable room here in this place of necessity. Still,
the comfort was that it survived, definitely survived.
The owner of the shop was standing in the doorway, a little man,
grizzle-bearded and with eyes very active round the corners of the
spectacles that bridged his long, sharp nose.
"Trade is good?" I inquired.
"Better in my grandfather's day," he told me, shaking his head sadly.
"We grow progressively more Philistine," I suggested.
"It is our cheap press. The ephemeral overwhelms the permanent, the
classical."
"This journalism," I agreed, "or call it rather this piddling
quotidianism, is the curse of our age."
Public-domain text, read in full here on John Shaqi.
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