Limehouse (London, England) -- Fiction; Short stories, English
In the intervals of these debauches and the pursuance of his plan, his
love-mad heart would be full to sickness for his lost Daffodil, and the
beauty of her, and her ways and speech—how thus she would go, and thus,
and say so and so. He would awake at night and not find her by him, and
his very bones would yearn for the girl who had chucked him for a yellow
man. And then he would think upon his plan, and, thinking upon that, he
would try to further it; and once the beast of cruelty was loosed again,
it would run in him with a consuming pace, until he began to fear that
the child would be too overdone for his desire.
At last, on the fourth day, he neared the end. She had been laid across
the chair and beaten almost to physical insensibility, and the inevitable
reaction on the mind had left her mentally quiescent, blank. He had timed
it cunningly. For all his abandonment to the passion of torment, some
poison in his blood had led him clearly to his goal; and it was almost
with a shriek of glee that he heard her speak after one of those assaults
which she had come to regard as normal and to accept without surprise.
“Dad—why don’t someone kill the Chink, then?”
He held himself well in hand, and answered casually: “’Cos they’re all
afraid, that’s why.”
“No one couldn’t kill the Chink, could they?”
“Course they could. Easy. Any afternoon. All them lot goes to sleep every
afternoon—Chinky, too, in a dark room. Anyone could kill ’im then. As
easy! I’d like someone to do it, that I would. Taking yer ma away from
you and me, dammim!”
“How’d they do it, then?”
“Why——” He caught her by the frock, and dragged her to him. The physical
pain of the four days had left her half animal, and in her face, swollen
with tears, was a vacant look with less of intelligent consciousness than
a cat’s. She did not notice that the hand that pulled her was not cruel,
but gentle. “Why, easy he’d do it. He’d go to the Chink’s house—the brown
’un at the corner—and he’d slip through the door, ’cos it’s alwis open.
And he’d creep to the back room where the Chinky sleeps, all in the dark.
And he’d _creeeeep_ up to the bed. And he’d have the knife in both hands.
And he’d bring it down—Squelch!—into the Chinky’s neck—so!”
He pantomimed, and noticed with delight that the child’s face was drawn,
as in one who strives to learn a lesson.
“But why don’ someone do it, then, and bring ma back to us?”
“Oh—’cos they’re afraid. And ’cos they mustn’t—that’s why. It’d be
murder. Killing people ain’t right. Murder’s awful wicked.”
“Don’t you wish Chinky was dead, dad? I do.”
“Not ’arf I don’t. I’d be a better man if Chinky was dead. It ain’t right
to say that, but I wish he was. But there ... you don’t want to think
about that kind of thing. It ain’t nice. Don’t you go thinking about it.
And don’t talk about it no more. Else you’ll get some more of what I just
done to yer!”
Public-domain text, read in full here on John Shaqi.
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