Limehouse (London, England) -- Fiction; Short stories, English
Next morning, he summoned her, and tore the frock from her, and whipped
her again, and tied her to the bed, suspended, so that her feet twisted
and just touched the ground. And there he left her till noon. Again and
again her aching head would droop, and throw the weight on her arms,
and every time she raised it she would see, on the mantelshelf before
her, a knife that was not there before—a large, lean knife—and a cheap
“sticky-back” photograph—a portrait of the Chink. And as she swayed with
the sustained torture, in her little brain sluggish thoughts began to
crawl, and the golden head was moved to much strange reasoning.
At noon, he returned and released her, and let her dress, and gave her
food. At about three o’clock he departed suddenly, leaving the door
unlocked. He stayed away for part of an hour.
When he came back, the room was empty, and he had great joy. His heart
sang; he flicked his fingers.
He squatted down by the fetid bed, chewing a piece of betel nut, and
waited for her.
At four o’clock he heard the chatter of small feet in the passage, and
then a little storm of frock and dishevelled stockings burst into the
room, slipped and fell, and rose again, and fell yet again on seeing
the Greaser’s sensual grin. Her face was whipped to a flame, and her
breathing was hard. Her hands clutched the breast of her frock.
“Oh!” was the cry she gave, and for a moment she stood transfixed,
expectant of an assault. And when it did not come, she ran on:
“Oh, dad, don’t beat me, don’t whip me. Daddy, I only run out just to—to
do somethink. I done it, dad. I done what they was frightened to do. Dad,
aincher glad? I bin and killed him. I bin and killed the Chinky. I done
him in, dad. All in the dark. He’s dead all right. I put it right in ...
both hands. Don’t whip me no more. I thought it’d bring ma back, p’r’aps.
I thought.... Oooh! Don’t look like that ... dad!...”
His heart leapt. He could have howled with laughter. He wanted to kick
his legs on the bed, and roll about. But he veiled all truth, and stared
at the child with a face that assumed a grey terror.
“You done ... what?” he asked, in slow tones of wonder. “You done ... you
killed someone ... Myrtle ... killed that Chink. Oh—my—Gawd!”
“Yes,” she said, with stark simplicity, stupidly fingering a large knife
which she had drawn from under her frock. “Yep. I done ’im proper. ’Cos
he took ma away from us. Look—here’s the knife. I went right in, all in
the dark. Mind—it’s wet. It went right in. It didn’t half spurt out.”
“Oh, Gawd,” he screamed, acting better than he knew. “Blood. Oh, Gawd!”
He sank limply to the bed, his figure a question mark. Then he leapt
up, dashed to the door, and rushed, in a cloud of words, to the street,
crying hoarsely:
Public-domain text, read in full here on John Shaqi.
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