The motor turned west in the low Forties and stopped before a high
narrow stone façade with a massive griffon-guarded door. Judith led the
way directly into the elevator and designated Markue's floor. It was
at the top of the building, where he met them with his impenetrable
courtesy and took them into a bare room evidently planned for a studio.
There were an empty easel, the high blank dusty expanse of the skylight,
and chairs with the somber hats and coats of men and women's wraps like
the glistening shed skins of brilliant snakes.
They turned through the hall to an interior more remarkable than
anything Linda could have imagined; it seemed to her very high, without
windows and peaked like a tent. Draperies of intricate Eastern color
hung in long folds. There were no chairs, but low broad divans about the
walls, a thick carpet with inlaid stands in the center laden with boxes
of cigarettes, sugared exotic sweets and smoking incense. It was so dim
and full of thick scent, the shut effect was so complete, that for a
moment Linda felt painfully oppressed; it seemed impossible to breathe
in the wavering bluish atmosphere.
Markue, who had appeared sufficiently familiar outside, now had a
strange portentous air; the gleams of his quick black eyes, the dusky
tone of his cheeks, his impassive grace, startled her. New York was
utterly removed: the taxi that had brought Judith and her, the swirling
traffic of Columbus Circle and smooth undulations of Fifth Avenue, were
lost with a different life. She saw, however, the open door to another
room full of clear light, and her self-possession rapidly returned.
Judith--as she had threatened--at once deserted her; and Linda found an
inconspicuous corner of a divan.
There were, perhaps, twenty people in the two rooms, and each one
engaged her attention. A coffee-colored woman was sitting beyond her,
clad in loose red draperies to which were sewed shining patterns of
what she thought was gold. Markue was introducing Judith, and the seated
figure smiled pleasantly with a flash of beautiful teeth and the supple
gesture of a raised brown palm. That, Linda decided, was the way she
shook hands. Two dark-skinned men, one in conventional evening dress,
were with her; they had small fine features and hair like carved ebony.
Public-domain text, read in full here on John Shaqi.
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