Lippincott's Magazine of Popular Literature and Science, Volume 20. December, 1877Various
Science
Lippincott's Magazine of Popular Literature and Science, Volume 20. December, 1877
Various
Literature, Modern -- 19th century -- Periodicals; Science -- Periodicals
A traveller is sure to be put in a good humor with the place by the many
and unusual comforts which he meets in the great sea-fronting hotel; and
the first look from the windows of his apartment confirms the opinion that
Palermo is the fairest of Southern cities. The outlook is upon the grand
seashore drive, the Marina, as gay and pretty a sight as can be found in
any European capital. The broad, tree-shaded avenue, bordered on one side
by hotels and palaces, on the other by the waters of the bay, is thronged
with private carriages. Beginning at the sea-facing gate of the city, the
road commands through all its length a view of the mountains, the bay and
the open sea: at its terminus lie the public flower-gardens--acres of our
choicest hothouse plants growing in tropical profusion.
In Palermo, as in so many European towns, the cathedral is the chief
architectural attraction. To approach it from the bay the whole length of
the city must be traversed on the Corso Vittorio Emmanuele, the chief
business street. This corso is crossed at the centre of the town by another
of equal width, which also commemorates by its name Italian unity--the
Corso Garibaldi. There is one other broad and important street which no
American can enter without remembering that even in this distant land the
interest and sympathy of the people have been with our country in its
struggles and successes: it is the Via Lincoln.
The drive up the Corso gives an opportunity for seeing a remarkably
handsome street lined with gay shops, and for studying the peculiar and
often fine faces of the Sicilian people; but nothing of striking interest
appears until, near the centre of the town, a street opening on the left
discloses a vista ending in a small forest of white marble statues. On a
nearer view it is found that the statues belong to the immense fountain of
the Piazza Pretoria, a work erected about A. D. 1550 by command of the
senate of Palermo. It is perhaps the largest and most elaborate fountain in
Europe, and, though it is easy to criticise the countless sculptures that
adorn it, the whole effect of their combination into an architectural unit
is most imposing.
Public-domain text, read in full here on John Shaqi.
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