Lippincott's Magazine of Popular Literature and Science, Volume 20. July, 1877.Various
Science
Lippincott's Magazine of Popular Literature and Science, Volume 20. July, 1877.
Various
Literature, Modern -- 19th century -- Periodicals; Science -- Periodicals
Dr. Dehr came forward and touched the motionless woman, shaking his head
solemnly: "She is highly charged with electricity now, sir. The air is
vital, as I might say, with spiritual presences. I have no doubt,
gentlemen, before we part, that we shall see one of the most remarkable
phenomena of the nineteenth century."
"How well she poses!" whispered Miss Fleming to the judge. "But the
stage-properties are bad: the velvet is cotton, and the gold
brass-gilt."
"Now, to me," said the judge emphatically, "there is a dreadful reality,
a dead look, in her face. What Poe would have made of this scene! There
was a man who could grapple with these supreme mysteries! No! that woman
undoubtedly has learned the secret of life and of death. She can afford
to be passive." The judge's very whisper was judicial, though pulpy.
It was not possible that the woman should have heard them, yet a moment
after she lifted her eyes and motioned slowly toward them.
"God bless my soul, ma'am! You don't want me!" cried the judge.
Waring half rose, laughing, but with cold chills down his backbone, and
then dropped into his seat, relieved: "You are the chosen victim, Miss
Fleming."
Cornelia went up to the medium. She was confident the whole affair was a
vulgar trick, but there was a stricture at her heart as if an iron hand
had been laid upon it. The energy went out of her step, the blood from
her face.
The woman laid her hand on her arm. "I need you," she said in a deep
voice. "You have great magnetic force: you can aid this soul to return
to life if you will. Sit there." She placed both her hands lightly on
Cornelia's forehead. Miss Fleming dropped into the seat: she could not
have done otherwise.
"Before we opens the seance," proceeded Combe, "zhentlemans can examine
de cabinet and convince demselves dere is no trick."
The cabinet was a light triangular structure of black walnut, about
seven feet in height, placed in one corner of the room, though with an
open space between it and the wall. It moved on casters: the door was on
the side facing the audience. Miss Fleming observed with amusement that
the seat given her removed her to the farthest distance from this door.
"You will notish dat dere is absolutely noting in de cabinet but a
chair--zhoost de walls and de floor and de chair. Miriam will sit there,
and de door will be closed. When it opens you will see de embodied
spirit beside her."
"Hillo!" cried the judge, "what's this behind the cabinet?"
"It is a window overlooking de garden: I had it boarded up to prevent
you sushpecting me of trickery. But you sushpect mine boards, mein
Gott! Exshamine dem, exshamine dem! Go outside."
The judge did so. "They are screwed on honestly enough," he said to the
spectators. "A ghost had need of a battering-ram to come through that
window. It opens on an area thirty feet deep."
The woman went into the cabinet and the door was closed. Steps were
heard upon the stairs.
Public-domain text, read in full here on John Shaqi.
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