An excellent provision, which would not, however, by the English law,
have disabled the ‘said Hartley’ from depriving himself of ‘the continued
means of a home’ by alienating the principal of the bequest; since the
jurisprudence of this country has no legal definition of ‘prodigality,’
and does not consider any person incompetent to manage his pecuniary
affairs unless he be quite and certainly insane. Yet there undoubtedly
are persons, and poor Hartley was one of them, who though in general
perfectly sane, and even with superior powers of thought or fancy, are as
completely unable as the most helpless lunatic to manage any pecuniary
transactions, and to whom it would be a great gain to have perpetual
guardians and compulsory trustees. But such people are rare, and few
principles are so English as the maxim _de minimis non curat lex_.
He lived in this way for thirty years or nearly so, but there is nothing
to tell of all that time. He died January 6, 1849, and was buried in
Grasmere churchyard—the quietest place in England, ‘by the yews,’ as
Arnold says, ‘that Wordsworth planted, the Rotha with its big silent
pools passing by.’ It was a shining January day when Hartley was borne to
the grave. ‘Keep the ground for us,’ said Mr. Wordsworth to the sexton;
‘we are old, and it cannot be long.’
We have described Hartley’s life at length for a peculiar reason. It is
necessary to comprehend his character, to appreciate his works; and there
is no way of delineating character but by a selection of characteristic
sayings and actions. All poets, as is commonly observed, are delineated
in their poems, but in very different modes. Each minute event in the
melancholy life of Shelley is frequently alluded to in his writings. The
tender and reverential character of Virgil is everywhere conspicuous in
his pages. It is clear that Chaucer was shrewd. We seem to have talked
with Shakespeare, though we have forgotten the facts of his life; but
it is not by minute allusion, or a tacit influence, or a genial and
delightful sympathy, that a writer like Hartley Coleridge leaves the
impress of himself, but in a more direct manner, which it will take a few
words to describe.
Public-domain text, read in full here on John Shaqi.
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