their early productions—much of that popular encouragement which induced
them to labour upon more excellent compositions and to train themselves
to write what they will be remembered by. But, dismissing these
considerations, and returning to the minor poems of S. T. Coleridge,
although we fearlessly assert that it is impossible for any sane man to
set any value on—say the Religious Musings—an absurd attempt to versify
an abstract theory, or the essay on the Pixies, who had more fun in
them than the reader of it could suspect—it still is indisputable that
scattered here and there through these poems, there are lines about
himself (lines, as he said in later life, ‘in which the subjective object
views itself subjectivo-objectively,’) which rank high in that form of
art. Of this kind are the Tombless Epitaph, for example, or the lines,—
‘To me hath Heaven with bounteous hand assigned
Energic Reason and a shaping mind,
The daring ken of truth; the Patriot’s part,
And Pity’s sigh, that breathes the gentle heart;
Sloth-jaundiced all! and from my graspless hand
Drop friendship’s priceless pearls, like hour-glass sand.
I weep, yet stoop not! the faint anguish flows,
A dreamy pang in morning’s fev’rish doze;’
and so on. In fact, it would appear that the tendency to, and the faculty
for self-delineation are very closely connected with the dreaminess
of disposition and impotence of character which we spoke of just now.
Persons very subject to these can grasp no external object, comprehend
no external being; they can do no external thing, and therefore they are
left to themselves. Their own character is the only one which they can
view as a whole, or depict as a reality; of every other they may have
glimpses, and acute glimpses, like the vivid truthfulness of particular
dreams; but no settled appreciation, no connected development, no regular
sequence whereby they may be exhibited on paper or conceived in the
imagination. If other qualities are supposed to be identical, those will
be most egotistical who only know themselves; the people who talk most of
themselves will be those who talk best.
Public-domain text, read in full here on John Shaqi.
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