Little Books About Old Furniture. Volume II. The Period of Queen AnneBlake, J. P. (John Percy)
History
Little Books About Old Furniture. Volume II. The Period of Queen Anne
Blake, J. P. (John Percy)
Decoration and ornament -- Queen Anne style; Furniture -- England -- History -- 18th century; Furniture, Queen Anne
[2] James Brydges, Duke of Chandos, who as Paymaster of the Forces
during the wars in the reign of Queen Anne amassed a large
fortune, built Canons, near Edgware, in 1715. The building and
furnishing is said to have cost between £200,000 and £250,000. It
was in the classical or Palladian style of architecture, and was
adorned with costly pillars and statuary. The great _salon_ was
painted by the Paolucci and the ceiling of the staircase by
Thornhill. Although the building was designed to stand for ages,
under the second Duke the estate became so encumbered that it was
put up to auction, and as no buyer could be found the house was
pulled down in 1747. The materials of "Princely Canons" realised
only £11,000. The marble staircase and pillars were bought by Lord
Chesterfield for his house in Mayfair. The witty Earl used to
speak of the columns as "the Canonical pillars of his house." The
Grinling Gibbon carving of the "Stoning of St. Stephen" was
transferred to Bush Hill Park, near Enfield, and finally acquired
in 1898 by the Victoria and Albert Museum at a cost of £300.
Readers who are familiar with the Belgian churches will remember the
wonderful carvings at Brussels and Mecklin by Drevot and Laurens, who
were pupils of Gibbon. They out-Gibbon Gibbon in their realism.
In Fig. 4, photographed for this book by the South Kensington
authorities, we give an illustration of a carving in pinewood of a
pendant of flowers attributed to Gibbon. It originally decorated the
Church of St. Mary Somerset, Thames Street, E.C., built 1695--one of
Wren's City churches so wantonly destroyed. To see Gibbon's wood carving
at its best we must go to St. Paul's Cathedral, Windsor Castle, and
Hampton Court Palace. At Windsor we shall also see carved marble panels
of trophies, emblems and realistic fruits, flowers and shell-fish on the
pedestal of the statue of Charles II. At Charing Cross we have another
example of his stone carving on the pedestal of the statue of Charles
the Martyr.
We have already referred to the Church of St. Mary Abchurch in Abchurch
Lane, between King William Street and Cannon Street, City. It was built
in 1686, eleven years after the first stone of St. Paul's was laid. It
also serves for the parish of St. Laurence Pountney. It lies in a quiet
backwater off the busy stream, and the flagged courtyard is still
surrounded by a few contemporary houses. Externally it is not beautiful,
but Wren and Gibbon expended loving care on the really beautiful
interior. The soft light from the quaint circular and round-headed
windows casts a gentle radiance over the carved festoons of fruit,
palm-leaves and the "pelican in her piety."
Public-domain text, read in full here on John Shaqi.
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