Little Books About Old Furniture. Volume II. The Period of Queen AnneBlake, J. P. (John Percy)
History
Little Books About Old Furniture. Volume II. The Period of Queen Anne
Blake, J. P. (John Percy)
Decoration and ornament -- Queen Anne style; Furniture -- England -- History -- 18th century; Furniture, Queen Anne
Just across, on the other side of Cannon Street, is another backwater,
Laurence Pountney Hill. Two of the old Queen Anne houses remain, No. 1
and No. 2, with beautiful old hooded doorways dated 1703. The circular
hoods are supported by carved lion-headed brackets. The jambs are
ornamented with delicate interlaced carving. No. 2 has been mutilated as
to its windows, and a modern excrescence has been built on to the ground
floor; but No. 1 appears to be much as it left the builders' hands in
1703, and still possesses the old wide staircase with twisted
"barley-sugar" balusters and carved rose newel pendants. These houses
may or may not have been designed by Wren. They seem to bear the impress
of his genius, and in any case they give us a glimpse--and such glimpses
are all too rare--of the homes of the City fathers, just as the little
church across Cannon Street brings us in touch with their religious life
in the early days of Queen Anne.
Fig. 5 represents an interesting series of turned balusters taken from
old houses of the late seventeenth and early eighteenth centuries. They
are executed in oak, lime, ash and pinewood--mostly the latter; and
many of the details will be found repeated in the furniture legs of the
Queen Anne period. The photograph was specially taken for this volume
by the courtesy of the Director and Secretary of the Victoria and Albert
Museum.
Fig. 6 represents a contemporary doorway of a room formerly at No. 3
Clifford's Inn. It is of oak, with applied carvings in cedar of
acanthus-leaf work, enclosing a cherub's head and a broken pediment
terminating in volutes. We shall find members of the same cherub family
on the exterior of St. Mary Abchurch. Fig. 7 is the overmantel of the
same room with a marble mantelpiece of somewhat later date. This room,
now at the Victoria and Albert Museum, was erected in 1686 by John
Penhallow, who resided there till 1716.
Fig. 8 is a beautiful doorway carved in yellow pine, with Corinthian
columns and pediment. We shall find similar pediments in the tower of
Wren's church, St. Andrew's, Holborn. This doorway with the carved
mantelpiece (Fig. 9) came from an old house in Carey Street, Lincoln's
Inn Fields. These belong to the early part of the eighteenth century.
These are but a few isolated examples of beautiful settings to the
furniture of the period of the revival of classical architecture in
England. Such things are not for the modest collector, who will content
himself with the chairs, tables, and bureaux of the period--articles,
in the main, of severe outline devoid of carving, and relying for effect
much upon the rich tones of the wood employed, but withal eminently
beautiful, inasmuch as they were and are eminently useful.
CHAPTER III: MIRRORS, STOOLS, AND SOME NOTES ON A QUEEN ANNE BEDROOM
Public-domain text, read in full here on John Shaqi.
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