England -- Social life and customs -- 19th century -- Fiction
"While the organs are young and pliable," the lady remarked, "I regard
it as of great importance to practice children in the art of reading
aloud, with an agreeable variety of tone and correctness of emphasis.
Trained in this way, they will produce a favorable impression on others,
even in ordinary conversation, when they grow up. Poetry, committed to
memory and recited, is a valuable means toward this end. May I hope that
your studies have enabled you to carry out my views?"
Formal enough in language, but courteous and kind in manner. I relieved
Mrs. Fosdyke from anxiety by informing her that we had a professor of
elocution at school. And then I was left to improve my acquaintance with
my three pupils.
They were fairly intelligent children; the boy, as usual, being slower
than the girls. I did my best--with many a sad remembrance of the far
dearer pupils whom I had left--to make them like me and trust me; and
I succeeded in winning their confidence. In a week from the time of my
arrival at Carsham Hall, we began to understand each other.
The first day in the week was one of our days for reciting poetry, in
obedience to the instructions with which I had been favored by Mrs.
Fosdyke. I had done with the girls, and had just opened (perhaps I ought
to say profaned) Shakespeare's "Julius Caesar," in the elocutionary
interests of Master Freddy. Half of Mark Antony's first glorious speech
over Caesar's dead body he had learned by heart; and it was now my duty
to teach him, to the best of my small ability, how to speak it. The
morning was warm. We had our big window open; the delicious perfume of
flowers in the garden beneath filled the room.
I recited the first eight lines, and stopped there feeling that I must
not exact too much from the boy at first. "Now, Freddy," I said, "try if
you can speak the poetry as I have spoken it."
"Don't do anything of the kind, Freddy," said a voice from the garden;
"it's all spoken wrong."
Who was this insolent person? A man unquestionably--and, strange to
say, there was something not entirely unfamiliar to me in his voice.
The girls began to giggle. Their brother was more explicit. "Oh," says
Freddy, "it's only Mr. Sax."
The one becoming course to pursue was to take no notice of the
interruption. "Go on," I said. Freddy recited the lines, like a dear
good boy, with as near an imitation of my style of elocution as could be
expected from him.
"Poor devil!" cried the voice from the garden, insolently pitying my
attentive pupil.
I imposed silence on the girls by a look--and then, without stirring
from my chair, expressed my sense of the insolence of Mr. Sax in clear
and commanding tones. "I shall be obliged to close the window if this is
repeated." Having spoken to that effect, I waited in expectation of an
apology. Silence was the only apology. It was enough for me that I had
produced the right impression. I went on with my recitation.
Public-domain text, read in full here on John Shaqi.
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