Little rays of moonshineHerbert, A. P. (Alan Patrick)
General
Little rays of moonshine
Herbert, A. P. (Alan Patrick)
English essays -- 20th century; English wit and humor
At last one of the keepers at the entrance to the small cages begins
to shout very loudly. It is not at all clear what he is shouting, but
apparently it is the pet-names of the bears, for there is a wild rush
for the various cages. Attaching himself to this rush the observer is
swept with a struggling mass of bears past the keeper into a cage.
Across the middle of the cage a stout barricade has been erected,
and behind the barricade sits the Master, pale but defiant. Masters
in Chambers are barristers who have not the proper legal faces and
have had to give up being ordinary barristers on that account; in
the obscurity and excitement of the Bear-Garden nobody notices that
their faces are all wrong. The two chief bears rush at the Master
and the other bears jostle round them, egging them on. When they see
that they cannot get at the Master they begin snarling. One of them
snarls quietly out of a long document about the Statement of Claim.
He throws a copy of this at the Master, and the Master tries to get
the hang of it while the bear is snarling; but the other bear is by
now beside himself With rage and he begins putting in what are called
interlocutory snarls, so that the Master gets terribly confused,
though he doesn’t let on. By and by all pretence of formality and
order is put aside, and the battle really begins. At this stage of the
proceedings the rule is that not less than two of the protagonists
must be roaring at the same time, of which one must be the Master. But
the more general practice is for all three of them to roar at the same
time. Sometimes, it is true, by sheer roar-power, the Master succeeds
in silencing one of the bears for a moment, but he can never be said
to succeed in cowing a bear. If anybody is cowed it is the Master.
Meanwhile, the lesser bears press closer and closer, pulling at the
damp ends of their rainy moustaches and making whispered suggestions
for new devilries in the ears of the chief bears, who nod their heads
emphatically, but don’t pay any attention. The final stage is the stage
of physical violence, when the chief bears lean over the barricade and
shake their paws at the Master; they think they are only making legal
gestures, but the Master knows very well that they are getting out of
hand; he knows then that it is time he threw them a bun. So he says a
soothing word to each of them and runs his pen savagely through almost
everything on their papers. The bears growl in stupefaction and rage,
and take deep breaths to begin again. But meanwhile the keeper has
shouted for a fresh set of bears, who surge wildly into the room. The
old bears are swept aside and creep out, grunting. What the result of
it all is I don’t know. Nobody knows. The new bears begin snarling....
Little Bits of London
III
BILLINGSGATE
Public-domain text, read in full here on John Shaqi.
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