Little rays of moonshineHerbert, A. P. (Alan Patrick)
General
Little rays of moonshine
Herbert, A. P. (Alan Patrick)
English essays -- 20th century; English wit and humor
In order to see Billingsgate properly in action it is necessary to get
up at half-past four and travel on the Underground by the first train
East, which is an adventure in itself. The first train East goes at
three minutes past five, and there are large numbers of people who
travel in it every day; by Charing Cross it is almost crowded. It is
full of Bolshevists; and I do not wonder. One sits with one’s feet up
in a first-class carriage, clutching a nice cheap workman’s ticket and
trying hard to look as if, like the Bolshevists, one did this every day.
On arriving at the Monument Station one walks briskly past the
seductive announcement that “The Monument is Now Open,” and plunges
into a world of fish. I have never been able to understand why fish
are so funny. On the comic stage a casual reference to fish is
almost certain to provoke a shout of laughter; in practice, and
especially in the mass, it is not so funny; it is like the Government,
an inexhaustible source of humour at a distance, and in the flesh
extraordinarily dull.
Over the small streets which surround the market hangs a heavy pall
of fishy vapour. The streets are full of carts; the carts are full
of fish. The houses in the streets are fish-dealers’ places, more or
less full of fish. The pavements are full of fish-porters, carrying
fish, smelling of fish. Fragments of conversation are heard, all about
fish. Fish lie sadly in the gutters. The scales of fish glitter on the
pavements. A little vigorous swimming through the outlying fisheries
brings you to the actual market, which is even more wonderful. Imagine
a place like Covent Garden, and nearly as big, but entirely devoted to
fish. In the place of those enchanting perspectives of flower-stalls,
imagine enormous regiments of fish-stalls, paraded in close order and
groaning with halibut and conger-eel, with whiting and lobsters and
huge crabs. Round these stalls the wholesale dealers wade ankle-deep in
fish. Steadily, maliciously, the great fish slide off the stalls on to
the floor; steadily the dealers recover them and pile them up on their
small counters, or cast them through the air on to other counters, or
fling them into baskets in rage or mortification or sheer bravado.
The dealers are men with business-faces, in long white coats,
surprisingly clean. Every now and then they stop throwing crabs into
baskets or retrieving halibut from the floor, and make little entries
in long note-books. I do not know exactly what entries they make, but
I think they must all be in for some competition, and are making notes
about their scores; one man I watched had obviously just beaten the
record for halibut retrieving. He retrieved so many in about a minute
that the tops of his boots were just beginning to show. When he had
done that he made such long notes in his book about it that most of
the halibut slid on to the floor again while he was doing it. Then he
began all over again. But I expect he won the prize.
Public-domain text, read in full here on John Shaqi.
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