Little rays of moonshineHerbert, A. P. (Alan Patrick)
General
Little rays of moonshine
Herbert, A. P. (Alan Patrick)
English essays -- 20th century; English wit and humor
On the whole, from a literary point of view, the hydros come out
better than the mere hotels. But of course they have unequalled
advantages. With such material as Dowsing Radiant Heat, D’Arsonval
High Frequency and Fango Mud Treatment almost any writer could be
sensational. What is High Frequency, I wonder? It is clear, at any
rate, that it would be madness to have a hydro without it.
Well, I have selected my hotel--on purely literary grounds. Or rather
I have selected two. One is the place where they have the Famous
Whirlpool Baths. I shall go there at once.
The manager of the other is a great artist; alone among the
collaborators he understands simplicity. His contribution occupies
a whole page; but there is practically nothing in it; nothing about
cuisine or sanitation, or elegance, or comfort. Only, in the middle, he
writes, quite simply:
THE MOST PERFECT HOTEL IN THE WORLD.
Five Inches
THE GREAT JOKE
They came and split a turkey with us on Boxing Day, ten old soldiers,
all out of a job, and only ten legs between them. At least there were
only ten real legs; two of them had admirable imitation ones, and there
were sixteen excellent crutches. One of them was a miner--_was_, of
course; just now he is not mining much; perhaps that is why he seemed
such a decent fellow, not at all violent or unpleasant, as one knows
those practising miners are. In fact he reminded one of the miners one
used to have in one’s platoon. Personally I had the honour to have a
whole platoon of them. Odd, isn’t it, what capital fellows they were
then, and how sadly they deteriorate when they get back to the mines?
And it was odd, too, to hear this fellow say that he wished he could
be back in the pits; I thought it was such a hateful and dangerous
occupation.
Yes, he was a nice miner, and so were the rest of them, very cheerful
and respectful. But they didn’t talk much--at first. It was strangely
difficult to find a safe subject. A few years ago there would have
been no difficulty; one would have talked war-shop. “Were you ever at
Ypres?” “I was on Gallipoli.” “Did you know Captain ----?” and so on.
We did a little of this, but it didn’t go very well.
In the dining-room I keep a large coloured photograph of the top of
the Vimy Ridge on the day of a battle--you know the sort of thing,
a hideous expanse of broken brown earth, that dreadful endless
brown, with walls of smoke all round the horizon, shells bursting
in the middle distance, a battered trench in the foreground, with
a few scattered men climbing out of it, gazing at the camera with
expressionless faces, stretcher-bearers stooping on the parapet with
their stretchers on their shoulders, odd men straying everywhere like
lost sheep across the chocolate wilderness, looking aimless, looking
small.
Public-domain text, read in full here on John Shaqi.
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