Lives of the Most Eminent Painters Sculptors and Architects, Vol. 02 (of 10): Berna to Michelozzo MichelozziVasari, Giorgio
History
Lives of the Most Eminent Painters Sculptors and Architects, Vol. 02 (of 10): Berna to Michelozzo Michelozzi
Vasari, Giorgio
Art, Italian; Artists -- Italy -- Biography
these works, together with the other men of that profession who lived in
Florence. They numbered thirty-four in all, each well experienced in his
own art. Now, although there were differences of opinion among them,
some liking the manner of one man and some that of another, nevertheless
they were agreed that Filippo di Ser Brunellesco and Lorenzo di
Bartoluccio had composed and completed their scenes better and with a
richer abundance of figures than Donato had done in his, although in
that one, also, there was grand design. In that of Jacopo della Quercia
the figures were good, but they had no delicacy, although they were made
with design and diligence. The work of Francesco di Valdambrina had good
heads and was well finished, but was confused in the composition. That
of Simone da Colle was a beautiful casting, because the doing of this
was his art, but it had not much design. The specimen of Niccolo
d'Arezzo, which was made with good mastery, had the figures squat and
was badly finished. Only that scene which Lorenzo made as a specimen,
which is still seen in the Audience Chamber of the Guild of Merchants,
was in every part wholly perfect. The whole work had design, and was
very well composed. The figures had so graceful a manner, being made
with grace and with very beautiful attitudes, and the whole was finished
with so great diligence, that it appeared not made by casting and
polished with tools of iron, but blown with the breath. Donato and
Filippo, seeing the diligence that Lorenzo had used in his work, drew
aside, and, conferring together, they resolved that the work should be
given to Lorenzo, it appearing to them that thus both the public and the
private interest would be best served, and that Lorenzo, being a young
man not more than twenty years of age, would be able to produce by this
exercise of his profession those greater fruits that were foreshadowed
by the beautiful scene which he, in their judgment, had executed more
excellently than the others; saying that there would have been more sign
of envy in taking it from him, than there was justice in giving it to
him.
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