Lives of the Most Eminent Painters Sculptors and Architects, Vol. 03 (of 10): Filarete and Simone to MantegnaVasari, Giorgio
History
Lives of the Most Eminent Painters Sculptors and Architects, Vol. 03 (of 10): Filarete and Simone to Mantegna
Vasari, Giorgio
Art, Italian; Artists -- Italy -- Biography
But superior to all the other works that Fra Giovanni made, and the one
wherein he surpassed himself and gave supreme proof of his talent and of
his knowledge of art, was a panel that is beside the door of the same
church, on the left hand as one enters, wherein Jesus Christ is crowning
Our Lady in the midst of a choir of angels and among an infinite
multitude of saints, both male and female, so many in number, so well
wrought, and with such variety in the attitudes and in the expressions
of the heads, that incredible pleasure and sweetness are felt in gazing
at them; nay, one is persuaded that those blessed spirits cannot look
otherwise in Heaven, or, to speak more exactly, could not if they had
bodies; for not only are all these saints, both male and female, full of
life and sweet and delicate in expression, but the whole colouring of
that work appears to be by the hand of a saint or an angel like
themselves; wherefore it was with very good reason that this excellent
monk was ever called Fra Giovanni Angelico. Moreover, the stories of the
Madonna and of S. Dominic in the predella are divine in their own kind;
and I, for one, can declare with truth that I never see this work
without thinking it something new, and that I never leave it sated.
In the Chapel of the Nunziata in Florence which Piero di Cosimo de'
Medici caused to be built, he painted the doors of the press (in which
the silver is kept) with little figures executed with much diligence.
This father painted so many pictures, now to be found in the houses of
Florentine citizens, "that I sometimes stand marvelling how one single
man could execute so much work to such perfection, even in the space of
many years. The Very Reverend Don Vincenzio Borghini, Director of the
Hospital of the Innocenti, has a very beautiful little Madonna by the
hand of this father; and Bartolommeo Gondi, as devoted a lover of these
arts as any gentleman that one could think of, has a large picture, a
small one, and a Crucifix, all by the same hand. The pictures that
are in the arch over the door of S. Domenico are also by the same
man; and in the Sacristy of S. Trinita there is a panel containing a
Deposition from the Cross, into which he put so great diligence, that it
can be numbered among the best works that he ever made. In S. Francesco,
without the Porta a S. Miniato, there is an Annunciation; and in S.
Maria Novella, besides the works already named, he painted with little
scenes the Paschal candle and some Reliquaries which are placed on the
altar in the most solemn ceremonies.
[Illustration: THE TRANSFIGURATION
(_After the fresco by =Fra Giovanni da Fiesole= [Fra Angelico]. Florence:
S. Marco_)
_Anderson_]
Public-domain text, read in full here on John Shaqi.
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