Over a door of the cloister of the Badia in the same city he painted a S. Benedict, who is making a sign enjoining silence. For the Linen-manufacturers he painted a panel that is in the Office of their Guild; and in Cortona he painted a little arch over the door of the church of his Order, and likewise the panel of the high-altar. At Orvieto, on a part of the vaulting of the Chapel of the Madonna in the Duomo, he began certain prophets, which were finished afterwards by Luca da Cortona. For the Company of the Temple in Florence he painted a Dead Christ on a panel; and in the Church of the Monks of the Angeli he made a Paradise and a Hell with little figures, wherein he showed fine judgment by making the blessed very beautiful and full of jubilation and celestial gladness, and the damned all ready for the pains of Hell, in various most woeful attitudes, and bearing the stamp of their sins and unworthiness on their faces. The blessed are seen entering the gate of Paradise in celestial dance, and the damned are being dragged by demons to the eternal pains of Hell. This work is in the aforesaid church, on the right hand as one goes towards the high-altar, where the priest sits when Mass is sung. For the Nuns of S. Piero Martire--who now live in the Monastery of S. Felice in Piazza, which used to belong to the Order of Camaldoli--he painted a panel with Our Lady, S. John the Baptist, S. Dominic, S. Thomas, and S. Peter Martyr, and a number of little figures. And in the tramezzo[7] of S. Maria Nuova there may also be seen a panel by his hand.