Lives of the most Eminent Painters Sculptors and Architects, Vol. 07 (of 10): Tribolo to Il SodomaVasari, Giorgio
History
Lives of the most Eminent Painters Sculptors and Architects, Vol. 07 (of 10): Tribolo to Il Sodoma
Vasari, Giorgio
Art, Italian; Artists -- Italy -- Biography
San Miniato at the time of the siege after the designs of
Michelagnolo, ordained that Tribolo should make an escutcheon of hard
stone, with two Victories, for an angle of the summit of a bastion
that faces Florence. But Tribolo had scarcely finished the escutcheon,
which was very large, and one of those Victories, a figure four
braccia high, which was held to be a very beautiful thing, when he was
obliged to leave that work incomplete, for the reason that, Maestro
Pietro having carried well on the making of the aqueduct and the
bringing of the waters, to the full satisfaction of the Duke, his
Excellency wished that Tribolo should begin to put into execution, for
the adornment of that place, the designs and models that he had
already shown to him, ordaining him for the time being a salary of
eight crowns a month, the same that was paid to San Casciano.
Now, in order that I may not become confused in describing the
intricacies of the aqueducts and of the ornaments of the fountains, it
may be well to say briefly some few words about the site and position
of Castello. The villa of Castello stands at the roots of Monte
Morello, below the Villa della Topaia, which is halfway up the slope;
it has before it a plain that descends little by little, for the space
of a mile and a half, down to the River Arno, and exactly where the
ascent of the mountain begins stands the palace, which was built in
past times by Pier Francesco de' Medici, after a very good design. The
principal front faces straight towards the south, overlooking a vast
lawn with two very large fish-ponds full of running water, which comes
from an ancient aqueduct made by the Romans in order to conduct water
from Valdimarina to Florence, and provided with a vaulted cistern
under the ground; and so it has a very beautiful and very pleasing
view. The fish-ponds in front are divided in the middle by a bridge
twelve braccia wide, which leads to an avenue of the same width,
bounded at the sides and covered above by an unbroken vault of
mulberry-trees, ten braccia in height, thus making a covered avenue
three hundred braccia in length, delightful for its shade, which opens
on to the high road to Prato by a gate placed between two fountains
that serve to give water to travellers and animals. On the eastern
side the same palace has a very beautiful pile of stable-buildings,
and on the western side a private garden into which one goes from the
courtyard of the stables, passing straight through the ground-floor of
the palace by way of the loggie, halls, and chambers on the level of
the ground; from which private garden one can enter by a door on the
west side into another garden, very large and all filled with
fruit-trees, and bounded by a forest of fir-trees that conceals the
houses of the labourers and others who live there, engaged in the
service of the palace and of the gardens. Next, that part of the
palace which faces north, towards the mountain, has in front of it a
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