Lives of the most Eminent Painters Sculptors and Architects, Vol. 07 (of 10): Tribolo to Il SodomaVasari, Giorgio
History
Lives of the most Eminent Painters Sculptors and Architects, Vol. 07 (of 10): Tribolo to Il Sodoma
Vasari, Giorgio
Art, Italian; Artists -- Italy -- Biography
lawn as long as the palace, the stables, and the private garden
altogether, and from this lawn one climbs by steps to the principal
garden, a place enclosed by ordinary walls, which, rising in a gentle
slope, stretches so well clear of the palace as it rises, that the
mid-day sun searches it out and bathes it all with its rays, as if
there were no palace in front; and at the upper end it stands so high
that it commands a view not only of the whole palace, but also of the
plain that is in front and around it, and likewise about the city. In
the middle of this garden is a forest of very tall and thickly-planted
cypresses, laurels, and myrtles, which, laid out in a circular shape,
have the form of a labyrinth, all surrounded by box-hedges two braccia
and a half in height, so even and grown with such beautiful order that
they have the appearance of a painting done with the brush; in the
centre of which labyrinth, at the desire of the Duke, Tribolo, as will
be described below, made a very beautiful fountain of marble. At the
principal entrance, where there is the first-mentioned lawn with the
two fish-ponds and the avenue covered with mulberry-trees, Tribolo
wished that the avenue should be so extended that it might stretch for
a distance of more than a mile, covered and shaped in like manner, and
might reach as far as the River Arno, and that the waters which ran
away from all the fountains, flowing gently in pleasant channels at
the sides of the avenue, and filled with various kinds of fishes and
crayfish, might accompany it down to that river.
Public-domain text, read in full here on John Shaqi.
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