One morning I found her dead, rigid, her open eyes glassy,
expressionless,--a corpse, a thing to be hidden from view. Then I bade
Sylvester make a grave in a terrace of the courtyard, at the foot of a
tree. Whither had fled that which I had seen shine forth from her dying
eyes; the restless Spark within, whither had it gone?
(XXIV)
The burial of Pussy White, in the quiet courtyard, under the blue sky
of June, in the full sunlight of two o’clock!
At the chosen place Sylvester dug the grave,--then stopped, looking at
the bottom of the excavation, and stooping to pick up something that
surprised him. “What is this,” said he, stirring the small white bones
which he had discovered,--“a rabbit?”
The bones of an animal, indeed; those of my cat from Senegal, an old
pussy, my companion in Africa, very much beloved long ago, that I had
buried there a dozen years before, and then forgotten, in the abyss
where beings and things that disappear forever accumulate. And while
looking at these bones mingled with the earth, these tiny legs like
white sticks, this collection still suggesting what was once the back
and tail of an animal,--there arose before me, with an inclination to
smile and a heavy heart-throb, a scene well-nigh forgotten, a certain
occasion when I had seen this same posterior of a cat, clothed in agile
muscles and in silky fur, fly before me comically, tail in air, in the
very height of terror.
It was one day when, with the obstinacy natural to her race, she had
climbed again on a piece of furniture twenty times forbidden, and had
there broken a vase which I prized very highly. I had at first given
her a cuff; then my temper rising, I followed it by a rather brutal
kick. She, surprised only by the blow, realized by the succeeding
kick that war was declared; it was then that she swiftly fled, her
plumy tail in the air, and from her refuge beneath the sofa she turned
around to give me a reproachful and distressed look, believing herself
lost, betrayed, assassinated by him she loved, and to whose hands she
had confided her fate; and as my eyes still were angry she uttered
finally her cry of surrender, of hopeless despair, that peculiar and
sinister cry of animals that realize themselves on the verge of death.
All my anger vanished; I called her, caressed her, still trembling
and panting, upon my knees. Oh! the last agonized cry of an animal,
be it that of the ox, drawn down to the abattoir, even that of the
miserable rat held between the teeth of a bull-dog; that hopeless
appeal, addressed to no one, which seems a protest addressed to nature
itself,--an appeal to an unknown, impersonal mercy, pervading all space.
Public-domain text, read in full here on John Shaqi.
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