Women -- Social conditions -- 19th century -- Fiction
Not being able to judge by comparison, Ethel was unaware of the
peculiarity of her good fortune in possessing such a father. But she
loved him entirely; looked up to him, and saw in him the reward of every
exertion, the object of each day's employment. In early youth we have no
true notion of what the realities of life are formed, and when we look
forward it is without any correct estimate of the chances of existence.
Ethel's visionary ideas were all full of peace, seclusion, and her
father. America, or rather the little village of the Illinois which she
inhabited, was all the world to her; and she had no idea that nearly
every thing that connected her to society existed beyond the far
Atlantic, in that tiny isle which made so small a show upon her maps.
Fitzhenry never mentioned these things to his daughter. She arrived at
the age of fifteen without forming a hope that should lead her beyond
the pale which had hitherto enclosed her, or having imagined that any
train of circumstances might suddenly transplant her from the lonely
wilderness to the thronged resorts of mankind.
CHAPTER IV
Les deserts sont faits pour les amants, mais l'amour
ne se fait pas aux deserts.
LE BARBIER DE PARIS.
Twelve years had led Ethel from infancy to childhood; and from child's
estate to the blooming season of girlhood. It had brought her father
from the prime of a man's life, to the period when it began to decline.
Our feelings probably are not less strong at fifty than they were ten or
fifteen years before; but they have changed their objects, and dwell on
far different prospects. At five-and-thirty a man thinks of what his own
existence is; when the maturity of age has grown into its autumn, he is
wrapt up in that of others. The loss of wife or child then becomes more
deplorable, as being impossible to repair; for no fresh connexion can
give us back the companion of our earlier years, nor a "new sprung race"
compensate for that, whose career we hoped to see run. Fitzhenry had
been a man of violent passions; they had visited his life with hurricane
and desolation;--were these dead within him? The complacency that now
distinguished his physiognomy seemed to vouch for internal peace. But
there was an abstracted melancholy in his dark eyes--a look that went
beyond the objects immediately before him, that seemed to say that he
often anxiously questioned fate, and meditated with roused fears on the
secrets of futurity.
Public-domain text, read in full here on John Shaqi.
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