Women -- Social conditions -- 19th century -- Fiction
Fanny smiled; yet while she saw slavery rather than a proud independence
in the creed of Ethel, she admired the warmth of heart which could endow
with so much brilliancy a state of privation and solitude. At the
present moment, when Mrs. Villiers was rapturously announcing their
scheme for leaving London, an expression of pain mantled over Fanny's
features; her clear blue eyes became suffused, a large tear gathered on
her lashes. "What is the matter?" asked Ethel anxiously.
"That I am a fool--but pardon me, for the folly is already passed away.
For the first time you have made it hard for me to keep my soul firm in
its own single existence. I have been debarred from all intercourse with
those whose ideas rise above the soil on which they tread, except in my
dear books, and I thought I should never be attached to any thing but
them. Yet do not think me selfish, Mr. Villiers is quite right--it is
much better that you should not be apart--I am delighted with his plan."
"Away or near, dear Fanny," said Ethel, in a caressing tone, "I never
can forget your kindness--never cease to feel the warmest friendship for
you. Remember, our fathers were friends, and their children ought to
inherit the same faithful attachment."
Fanny smiled faintly. "You must not seduce me from my resolves," she
said. "I know my fate in this world, and I am determined to be true to
myself to the end. Yet I am not ungrateful to you, even while I declare,
that I shall do my best to forget this brief interval, during which, I
have no longer, like Demogorgon, lived alone in my own world, but become
aware that there are ties of sympathy between me and my
fellow-creatures, in whose existence I did not believe before."
Fanny's language, drawn from her books, not because she tried to
imitate, but because conversing perpetually with them, it was natural
that she should adopt their style, was always energetic and imaginative;
but her quiet manner destroyed every idea of exaggeration of sentiment:
it was necessary to hear her soft and low, but very distinct voice utter
her lofty sentiments, to be conscious that the calm of deep waters was
the element in which she dwelt--not the fretful breakers that spend
themselves in sound.
Public-domain text, read in full here on John Shaqi.
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