The only certain evidence we have for Temples are some inscriptions and sculptures. For the most part they would, like those found at Silchester and elsewhere, have been small square and polygonal structures set on a rather high podium approached by steps. Fig. 27 is a restored plan of the little Temple found at Caerwent. Doubtless here and in most cases, the roof of the cella ran on to cover the podium. At the foot of the steps an external altar would have stood. The column illustrated before (Fig. 1) seems suitable for a temple. Roach Smith, speaking of the group of Mother Goddesses found in Crutched Friars (see _Builder_, October 30, 1847), says: “It is the only instance with the exception of the discovery made in Nicholas Lane in which the site of a temple can with reason be identified” (_Ill. Rom. Lon._, p. 33). The find in Nicholas Lane was part of an important and early inscription which may have been on the chief temple in Londinium. Some sculptures found on the bank of the Walbrook suggest that a cell of Mithras occupied the site. In the fourth century a Christian church would, as at Silchester, have occupied an important site in the City. A large Theatre or Amphitheatre, or both, would have been necessary in such a town. Roach Smith, who had a wonderful instinct of insight, thought that such a building probably occupied a site against the bank of the Fleet, called “Breakneck Steps.” Lately it has been suggested that the drawing-in of the line of the City Walls at the north-west angle was done to avoid an amphitheatre; more probably, I think, it was to avoid wet ground. There is evidence that gladiator contests and chariot races were popular. For gladiators, compare two small bone figures at the British Museum, evidently from one shop, with the fragment of a little statuette at the Guildhall. The bronze trident-head, also at the Guildhall, really does seem to be a gladiator’s weapon as suggested in the catalogue. For chariot races, see the fragments of glass bowls, which may have been made in London, in the British Museum. I have found an additional little point of evidence on chariot races. Amongst Fairholt’s sketches at the Victoria and Albert Museum, is one of an enigmatical little fragment of a Castor vase, found in Bishopsgate Street, which seems to represent four heads of dogs running neck and neck. Now there is a whole vase in the British Museum (found in Colchester) which was practically a replica of the other, and this shows that the four running animals of the fragment were chariot horses, and the whole represented a race. Above the horses of the fragment is scratched ITALVS, which, I suggest, must have been the name of some favourite “winner” in Londinium.