London and Its Environs Described, vol. 3 (of 6): Containing an Account of Whatever is Most Remarkable for Grandeur, Elegance, Curiosity or Use, in the City and in the Country Twenty Miles Round ItAnonymous
History
London and Its Environs Described, vol. 3 (of 6): Containing an Account of Whatever is Most Remarkable for Grandeur, Elegance, Curiosity or Use, in the City and in the Country Twenty Miles Round It
Anonymous
London (England) -- Description and travel -- Early works to 1800; London (England) -- Gazetteers -- Early works to 1800
_This is an original sketch of one of the large pictures painted by
Paolo in the_ Sala del Consiglio, _at Venice_.
A boy’s head, as big as the life, by Annibal Caracci.
Diana’s head, as big as the life, by Camillo Procaccini.
St. Catharine, a foot and a half high. A celebrated and well preserved
performance, by Benvenuto da Garofolo.
A landscape exhibiting the hunting of the hare, a beautiful work, by
Gobbo de Caracci.
Adam and Eve driven out of paradise by the angel. The figures one foot
high. A famous and well preserved work, by the Cavaliere Giuseppe d’
Arpino.
The head of a woman smiling, smaller than the life, by Leonardo da
Vinci.
A child’s head, smaller than the life, by Fra. Bartolomeo di San Marco.
The pale of an altar with figures bigger than the life, representing St.
Lucy,
St. John the Evangelist, St. Humphrey, and St. Francis. A famous
performance, by Correggio: except St. Humphrey’s figure, which having
been left unfinish’d by Correggio, was afterwards finished by
Spagnoletto.
The family of the Caracci’s, represented in a butcher’s shop, and those
celebrated painters in butchers dresses. _Annibal_ is weighing some
meat to a Swiss of the Cardinal of Bologna’s guard. _Agostino_ is
shaking a nail and trying if it holds fast, that he may hang on it a
leg of mutton which he holds in his left hand. The _Gobbo_ is lifting
up half a calf to hang it on a beam, and _Lodovico_ stoops down
killing a sheep. The mother of them is represented as a servant-maid
that comes to buy some meat. The likenesses are traditionally said to
be wonderful; and the whole of this no less odd than beautiful picture
was the most celebrated performance of Annibal Caracci.
Three half figures as big as the life, representing three ladies
diverting themselves with music, and a gentleman listening to them. In
all probability they were portraits, by Titiano.
A sketch of one of the most capital pictures in Venice, and preserved
there in a church. It represents our blessed Lady with St. Peter and
St. Francis, and a Venetian General of the Capello’s family come back
victorious from a battle against the Turks, who offers the standard
and the trophies of his victory to the altar of our Lady. The whole
Capello family is exhibited in this picture. A celebrated work, by
Titiano.
A landscape with figures. It represents part of the country near
Bologna, by Domenichino.
A woman representing Simplicity, with a dove in her hand. A half length
as big as the life, by Francesco Furino.
The good Samaritan. The figures are two feet high. A valuable picture,
by Sisto Badalocchi.
Our Lady with her babe, about two feet high, painted much after
Correggio’s manner, by Sebastian Ricci.
The head of a youth, a little smaller than the life, by Raphael.
Two small pictures, exhibiting two different martyrdoms of two saints,
by Giacomo del Po.
A small sketch, by Ciro Ferri, a disciple of Pietro da Cortona.
Public-domain text, read in full here on John Shaqi.
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