Sophonisba dying with grief in the arms of her damsel on receiving doleful news. The figures are half lengths as big as the life. A celebrated piece, by Domenichino. Our Saviour known by the two disciples in the breaking of the bread. The figures bigger than the life, by Lodovico Caracci. The flight into Egypt. The figures as big as the life. A noble work, by Guido Reni. The heads of St. Andrew and St. Paul, bigger than the life. A valuable performance, by Andrea Sacchi. St. Elizabeth with St. John when a babe, musing on a cross made of reeds. The figures smaller than the life. A renowned piece, by Leonardo da Vinci. Judith holding Holofernes’s head. A half length, very beautiful, by Francesco Salviati. Our Saviour’s nativity. The figures a little more than one foot high, finished with extreme diligence. A rare work, by Baldassare Peruzzi. Our Lady contemplating her babe. The figures about two feet and a half, wonderfully well done after Correggio’s manner, by Francesco Mazzuoli, commonly called Parmigianino. A half length, as big as the life, representing a naked woman, by Titiano. _It is thought that this is the portrait of the woman that was Titian’s model, when he drew the famous Venus now existing in the room called_ La Tribuna, _in the Medicean gallery at Florence_. Our Saviour taken down from the cross. The figures a little more than one foot high, by Daniele da Volterra. _This appears to be the sketch from which Daniel made the large famous picture, that is now in one of the chapels of the church called_ La Trinità de Monit, _at Rome_. An oval picture representing Medusa’s head, bigger than the life, painted with astonishing expression, by Rubens. A holy family. The figures one foot high, compleatly finished, by Annib. Caracci. Our Saviour crowned with thorns. The figures a foot and a half high. One of the best works in his first manner, by Correggio. Our Lady with the two babes Jesus and John laying hold of a lamb, and two angels devoutly looking on them, by Fran. Mazzuoli, called Parmigianino. _It was formerly in Charles the First’s collection._ Socrates and Alcibiades. Half lengths of about a foot and a half, by Giorgione da Castelfranco, who was Titiano’s master. A small picture representing our Lady’s assumption, and the apostles, by Francesco Naldini. _This was the sketch of a celebrated picture now in Florence._ Our Saviour’s circumcision. An original sketch, by Polidoro da Caravaggio. A picture in light and shadow, representing Diana and her nymphs in the bath, changing Acteon into a stag. An original beautiful sketch. The figures one foot high, by Nicolo dell’ Abate. A small sketch for a ceiling in light and shadow, by Correggio. Our Saviour’s supper, a small and most beautiful performance, by Innocenzo da Imola. _Innocenzo was one of Raphael’s best disciples._ A Venetian history, by Paolo Veronese.