A head with part of the shoulders, and it seems to be the portrait of some great man. In his first manner, by Titiano. A picture, with many figures two feet high, representing Solomon’s judgment. The invention, disposition, and colouring are equally wonderful, by Pasqualini Romano, disciple of Andrea Sacchi. A representation of our Saviour on his doleful way to Calvary. The figures almost as big as the life, by Andrea Mantegna. _Mantegna was Correggio’s master, and this picture was in the collection of King Charles the First._ The rape of the Sabines. A picture of great merit both for invention and colouring, the author unknown. A figure as big as the life, of particular beauty, exhibiting St. Jerome fervently praying, by Domenichino. A head with part of the shoulders, as big as the life. It is the portrait, painted by himself, of Francesco Mola. A small sketch representing a sacrifice, with the temple of Diana. The figures are many and wonderfully well disposed, by Pietro da Cortona. _It goes about in print._ A small sketch in light and shadow, with many figures representing a Saint, ready to suffer martyrdom, drawn with great liveliness and taste, by Ant. Vandyke. A small octagonal picture on a black stone, representing our Saviour carried to the sepulchre, by Annibal Caracci. A picture containing several figures about three feet high, exhibiting St. Laurence’s martyrdom, by Tintoretto. A landscape with figures one foot high, representing the martyrdom of St. Peter Martir. The figures, by Agostino Caracci. The landscape, by Gobbo de Caracci. A sketch representing a victorious Prince carried in triumph. The figures are many, a foot and a half high, and many of them allegorical, by Giordano d’Anversa. A large piece of architecture with figures. In his first manner, by Nicol. Poussin. A picture, containing some half lengths a little bigger than the life, exhibiting Faith that gives her sword to a General, by Pietro della Vecchia. The portrait of a General, half length, a little bigger than the life. It is believ’d to be a copy from Titian, by Luca Giordano. A figure very artfully foreshorten’d, representing our Saviour dead, as big as the life, by Lodovico Caracci. A picture exhibiting a battle, full of figures about one foot high; and one of the noblest performances of Bourgognone. Apollo and Marsyas. The figures about three feet high, by Sebastiano Ricci. In the first and second rooms of the ground floor. A large picture containing some half lengths as big as the life, and representing the taking our Saviour in the garden, by Giacomo da Bassano. A piece containing many half length figures as big as the life, representing the prodigal son received by his father. A famous performance of Guercino da Cento.