London and Its Environs Described, vol. 4 (of 6): Containing an Account of Whatever is Most Remarkable for Grandeur, Elegance, Curiosity or Use, in the City and in the Country Twenty Miles Round ItAnonymous
History
London and Its Environs Described, vol. 4 (of 6): Containing an Account of Whatever is Most Remarkable for Grandeur, Elegance, Curiosity or Use, in the City and in the Country Twenty Miles Round It
Anonymous
London (England) -- Description and travel -- Early works to 1800; London (England) -- Gazetteers -- Early works to 1800
The march began with twenty footmen in scarlet liveries, trimmed with
silver lace, each having his sword by his side, a baton in one hand, and
a lighted torch in the other. These were the Marshal’s men, who cleared
the streets, and were about the Marshal, waiting his commands. After
them, and sometimes in the midst of them, came Mr. Darrel the Marshal, a
very handsome gentleman, of Lincoln’s Inn, mounted upon one of the
King’s best horses, and richest saddles. He was magnificently dressed,
and, besides his Marshal’s men, had two lacquies who carried torches,
and a page in livery carrying his cloak.
He was followed by an hundred of the handsomest young gentlemen of the
Inns of Court, twenty-five chosen out of each house, all of them mounted
on the best horses, and with the best furniture that the King’s stables,
and those of all the noblemen in town could afford. These hundred
gentlemen were so richly dressed, that scarce any thing but gold and
silver lace could be seen, and every one of them had two lacquies, in
his own livery, carrying torches by his horse’s side, and a page
carrying his cloak. These gentlemen had about a dozen of the best
trumpeters, in their own livery, sounding before them.
After this noble troop, came the antimasquers; preceded by the sound of
keys and tongs, playing in concert. The first antimasque consisted of
beggars and cripples, mounted on the poorest leanest jades that could be
got out of the dust carts or elsewhere, a change, which from the
nobleness of the music, the fineness of the horses, and the magnificent
appearance of the gentlemen, afforded a very odd and surprizing
contrast; the habits and every thing belonging to these cripples and
beggars being ingeniously fitted by the direction of the commissioners,
among whom were Mr. Attorney Noy, Sir John Finch, Sir Edward Herbert,
and Mr. Selden.
After the beggars antimasque, came men on horseback, playing upon pipes,
whistles, and instruments, imitating the notes of all sorts of birds,
and playing in excellent concert.
These were followed by an antimasque of birds, consisting of an owl in
an ivy bush, with many different sorts of birds, in a cluster gazing
upon her; these were little boys put in covers in the shape of those
birds, nicely fitted, sitting on small horses, with footmen going before
them with torches in their hands, and others to look after them, to
prevent their falling.
After this antimasque, came other musicians on horseback, playing upon
bagpipes and other kinds of Northern music, to shew that the following
projectors were Scots; and these, like the rest, had many footmen with
torches waiting on them.
First in this antimasque rode a fellow upon a little horse with a great
bit in his mouth, carrying upon his head a bit with a headstall and
reins; a projector, who begged a patent, that none in the kingdom might
ride their horses, without such bits as they should buy of him.
Public-domain text, read in full here on John Shaqi.
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