Then came another fellow with a capon upon his fist, and a bunch of carrots upon his head, representing a projector, who begged a patent of monopoly, as the first inventor of the art of feeding capons fat with carrots. Several other projectors were personated in this antimasque, which pleased the spectators the more, because an information was thus covertly given to the King, of the unfitness and ridiculousness of these projects against the law. The Attorney Noy, who had most knowledge of them, had a great hand in this antimasque of the projectors. After this and the rest of the antimasques, came six of the chief musicians on horseback upon foot-cloths, and in the habits of Heathen priests, footmen carrying torches by their sides. These were followed by a large open chariot, drawn by six fine horses with large plumes of feathers on their heads and cruppers. In this chariot were about a dozen persons, in the habits of Gods and Goddesses, many footmen walking an all sides with torches. This chariot was followed by six more of the musicians on horseback, dressed and attended with torches like the former, proceeding before another large open chariot, drawn by six fine horses, with feathers, liveries, and torches, like the other. Within it were twelve musicians, as variously dressed as the others, to represent, like them, Pagan deities. These chariots were made for this occasion, and, preceding the grand masquers chariots, played upon excellent loud music all the way. After this chariot came six more musicians, dressed and attended like the former, followed by the first chariot of the grand masquers, which was not so large as those that went before, but was curiously carved and painted. It was in the form of a Roman triumphal chariot, and richly painted with crimson and silver all over, not excepting the wheels. It was drawn by four horses all in a breast, covered to the heels with crimson and silver tissue, and with huge plumes of red and white feathers on their heads and cruppers. The coachman’s cap and feather, his long coat, his cushion, and his very whip, were of the same stuff and colour. In this chariot sat the four grand masquers of Gray’s Inn, who were handsome young gentlemen. Their habits, doublets, trunk hose and caps, were of the richest tissue, covered as thick with silver spangles as they could be placed; large white silk stockings up to their trunk hose, and very fine sprigs in their caps. On each side of the chariot were four footmen, in liveries of the colour of the chariot, carrying huge flambeaus, which, with the torches, gave the greatest lustre to the paintings, spangles and habits. After this chariot came six more musicians, in habits like the former, followed by the second chariot, which differed only from the other in its being painted silver and blue. The chariot and horses were covered with tissue of blue and silver, as the former was with silver and crimson.