The entrance into it is on the side of the court opposite to the great gateway; the vestibule is about 82 feet long, and more than 12 feet broad, being properly ornamented with columns of the Doric order. Each end of it communicates with a stair case, leading to the principal apartments, which face the garden and the Thames. They consist of several spacious rooms, fitted up in the most elegant manner. The ceilings are embellished with copies of antique paintings, or fine ornaments of stucco, richly gilt. The chimney pieces consist of statuary and other curious marble, carved and finished in the most correct taste. The rooms are hung either with beautiful tapestry or the richest damasks, and magnificently furnished with large glasses, chairs, settees, marble tables, &c. with frames of the most exquisite workmanship, and richly gilt. They also contain a great variety of landscapes, history pieces, and portraits, painted by Titian and the most eminent masters. In some of the rooms may be seen large chests, embellished with old genuine japan; which being great rarities, are almost invaluable. The company passes thro’ many of these apartments to the left wing, which forms a state gallery or ball room, admirable in every respect, whether we consider the dimensions, the taste, and masterly manner in which it is finished, or the elegant magnificence of the furniture. It is 106 feet long, the breadth being a fourth part of the length, and the height equal to the diagonal of the square of the breadth; which proportions are esteemed to be the most proper for a gallery. The ceiling is coved and ornamented with figures and festoons richly gilt. To avoid repetitions, we beg leave once for all to say the same of the other decorations and frames of the furniture; for there is such a variety of gilding in the different parts of the gallery, that it would be endless to mention it in every particular description. But to proceed, the flat part of the ceiling is divided into five compartments, ornamented with fine imitations of some antique figures, as, a flying Fame blowing a trumpet; a Diana; a triumphal car drawn by two horses; a Flora; and a Victory holding out a laurel wreath. The entablature is Corinthian, and of most exquisite workmanship. The light is admitted thro’ nine windows in the side next the garden, being equidistant from one another, and in the same horizontal direction. Above these is another row of windows, which, tho’ not visible in the room, are so artfully placed as to throw a proper quantity of light over the cornice, so that the highest parts of the room are as much enlightened as the lowest, and the pictures on the opposite side are free from that confused glare, which would arise from a less judicious disposition. In the spaces between the windows, there are tables of antique marble, and stools covered with crimson damask, placed alternately. The piers are also ornamented with large square and oval glasses, arranged in the