aforesaid order; the frames of which form a beautiful variety of foliage to adorn the higher parts quite up to the entablature. Let us now pass over to the opposite side, which is divided into three large spaces by two chimney pieces made of statuary marble, with cornices supported by figures of Phrygian captives, copied from those in the Capitol at Rome, and executed in a very masterly manner. The finishing above the chimney pieces consists of terms, sphinxes, festoons, &c. and within the spaces formed by these ornaments are placed whole length portraits of the Earl and Countess of Northumberland in their robes. That the three grand divisions of this side might be furnished in an elegant manner, his Lordship employed the most eminent masters to copy five of the most admired paintings in Italy, which are placed as follows: in the middle and largest division is Raphael’s celebrated school of Athens, copied from the original in the Vatican by Raphael Mengs. In the two other divisions on the right and left hand side of the former are placed the feast and council of the Gods, which were also painted by Raphael, and copied by Pompeio Battoni from the originals in the Little Farnese. The two ends of the gallery are ornamented with the triumphal procession of Bacchus and Ariadne (originally painted by Annibal Caracci in the Farnese palace) and Guido’s Aurora. The former was copied by Felice Costansi, and the latter by Masuccio, a scholar of Carlo Maratti, from the original in the Villa Rospigliosi. All these pictures are very large, being exactly of the same dimensions with the originals, and are copied in a very masterly manner. We heartily wish his Lordship’s taste in procuring them may incite those, who can afford it, to follow the example, and purchase copies of such paintings as are universally admired; for by these means not only private curiosity would be gratified, but the public taste also greatly improved. Under the aforesaid pictures are placed large sophas, covered with crimson damask and richly ornamented. This gallery is lighted up for the reception of company in the evenings, by means of four glass lustres, consisting in all of as many branches as will receive 100 large wax candles, and suspended from the ceiling by long chains, magnificently gilt. We shall close our imperfect account of this stately gallery, by wishing that it was in the power of words to describe the fine effects, which arise from a view of its numberless beauties.