London and Its Environs Described, vol. 5 (of 6): Containing an Account of Whatever is Most Remarkable for Grandeur, Elegance, Curiosity or Use, in the City and in the Country Twenty Miles Round It — John Shaqi
London and Its Environs Described, vol. 5 (of 6): Containing an Account of Whatever is Most Remarkable for Grandeur, Elegance, Curiosity or Use, in the City and in the Country Twenty Miles Round ItAnonymous
History
London and Its Environs Described, vol. 5 (of 6): Containing an Account of Whatever is Most Remarkable for Grandeur, Elegance, Curiosity or Use, in the City and in the Country Twenty Miles Round It
Anonymous
London (England) -- Description and travel -- Early works to 1800; London (England) -- Gazetteers -- Early works to 1800
Gustavus Adolphus, by Mirevelt.
A conversation, by Bamboccio.
Temptation of St. Anthony, by Brower, the landscape, Paul Brill.
A landscape, Gasp. Poussin, the figures by Philippo Laura.
A dead Christ, &c. of the school of Caracci.
A landscape and figures, Fr. Miel.
Gen. Monk, when young, 3 qrs.
A man singing, by Brower.
A landscape, by Claude Lorraine.
A landscape with high rocks, by Salvator Rosa.
A view of St. Mark’s Place at Venice in carnival time, Canaletti.
A view of the great canal at Venice, by Canaletti.
A landscape, by Rembrandt.
A lutanist, by Fr. Hals.
A moon-light, by Vanderneer.
The Chevalier de St. George in miniature.
A musician’s head, by Rembrandt.
A circle of flowers, by Baptist; with Christ and the woman of Samaria, by
Cheron.
A madona, of the school of Carlo Maratti.
A half length of General Monk, copied from Sir Peter Lely.
A landscape, by Tillemans.
A sea piece, a squall, by Vandervelde.
A night storm, by De Vlieger.
The virgin, with the child asleep.
A view of a water mill.
A cobler.
An ascension, by Gius. Chiari.
Two landscapes, by Houseman.
Two pictures of the Chevalier and the Princess Louisa his sister.
King James the 2d’s Queen, by Sir Godfrey Kneller.
The burning of Troy, by Van Hiel.
A view in Holland, by Van Goen.
A landscape, in Van Goen’s manner.
A landscape and figure, by Van Goen.
The Marquis of Hamilton, after Vandyke.
A small round landscape.
A large landscape, by Lucas Van Uden.
Salvator Mundi, by Vandyke.
A sea piece and landscape, by Vander Cabel.
Lord Clarendon, by Dobson.
A small round landscape, in the manner of Bourgognone.
A sea piece, by De Man.
King James I. half length, by Mytons.
Two landscapes, by Ruysdale.
The conversion of St. Paul, by P. Snayer.
A small head on silver, supposed the Marq. of Montrose, by Ferd. Laithe.
J. Miel, the painter, by himself.
Two small pictures, by Horizonti.
Two ditto, by Lucatelli.
Prince Henry, by P. Oliver.
Ruins of the Temple of Minerva, by Viviano, or Salvius.
A landscape, by Rubens.
A landscape, by Fauquier.
A frost piece, by Ostade.
A landscape, by Gasp. de Wit, figures by Ferg.
Ruins and figures, by Marco and Seb. Ricci.
A sea view, by Vandervelde.
A landscape, in the manner of Van Uden.
Philippo Laura, by himself.
Two small views, by Cocoranti.
A sea calm, by Woodcock.
David and Abigail, by Brughel.
A sea view, by Bonaventure Peters.
A landscape, by Martin Rykaert.
Two small landscapes, by Artois.
The finding of Moses, by Romanelli.
Dead birds, by Ferguson.
Two landscapes, by Ruysdale.
St. John led by his disciples, by Blanchet.
A landscape, by Rembrandt.
A landscape, by Ruysdale, the figures by Wovermans.
A lady’s head, by Cornelius Johnson.
Lord Carnarvon, by Sir P. Lely.
A Dutch watchmaker, by Fr. Hals.
A landscape, by Van Huysum.
A landscape, by J. Asselyn.
A landscape, by Swanevelt.
A landscape, by Francisco Mille.
The marriage of St. Catharine, after Giorgione.
Public-domain text, read in full here on John Shaqi.
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