London and Its Environs Described, vol. 5 (of 6): Containing an Account of Whatever is Most Remarkable for Grandeur, Elegance, Curiosity or Use, in the City and in the Country Twenty Miles Round It — John Shaqi
London and Its Environs Described, vol. 5 (of 6): Containing an Account of Whatever is Most Remarkable for Grandeur, Elegance, Curiosity or Use, in the City and in the Country Twenty Miles Round ItAnonymous
History
London and Its Environs Described, vol. 5 (of 6): Containing an Account of Whatever is Most Remarkable for Grandeur, Elegance, Curiosity or Use, in the City and in the Country Twenty Miles Round It
Anonymous
London (England) -- Description and travel -- Early works to 1800; London (England) -- Gazetteers -- Early works to 1800
A landscape, by Swanevelt.
A landscape, with Argus and Hermes.
The last supper, by Vandyke or Dieperbeck.
The flight into Egypt, by Polembergh.
L. D’Honat’s Eden.
A calm, by Vandervelde, best manner.
The good Samaritan.
A landscape, by Tempesta.
St. Peter walking on the sea, by Paul Brill.
Fowls, by Cradock.
A storm (small) by Vandervelde.
Ruins, by Viviano.
The transfiguration, after Raphael.
A landscape and figures, by Bourgognone.
A winter piece, by Molinaer.
St. Jerom, by Teniers.
A landscape, by Rousseau.
Ruins, by Panini.
A sun-rising, by Courtois.
A landscape, by Old Patell.
A church, by De Neef, the priest carrying the host; the figures by
Teniers.
St. Sebastian, after Domenichino.
St. Peter delivered out of prison, by De Neef, the figures by O. Teniers.
A head (supposed of an apostle) by Vandyke.
The flight into Egypt, a sketch, by Gius. Passeri.
Part of Titian’s Comari, copied by Dahl.
A head of Christ crowned with thorns, by Guido.
Christ crowned with thorns, with the reed in his hand, of the school of
Caracci.
Lot going out of Sodom, and Abraham with three Angels, two drawings, by
Cheron.
St. Jerom in a cave, by Teniers.
The murder of the innocents, a drawing after Raphael.
A drawing after Nic. Poussin, by Cheron, of the passage thro’ the red sea.
A Roman sacrifice, a drawing from the antique, by Cheron.
A land storm, by Peters, or Teniers.
Christ driving the buyers and sellers out of the temple, by Jac. Bassano.
Two conversations in water colours, by Fergue.
A boy and girl, heads.
A landscape and sea piece in water colours, by Tillemans.
Two landscapes in the manner of Brughel, by Old Grissier.
A landscape, by Fergue.
A view of Scheveling, by De Vleiger.
A sea piece, by Vandervelde.
A front piece, by Bonaventure Peters.
Two landscapes, by Polembergh.
A landscape, by Sachtleven.
A landscape, by Van Maas.
A gale and view, by Backhuysen.
Two sea pieces, by Vandervelde.
A landscape, by Hobbima.
A head of Seb. Bourdon, by Netschar.
Eliezer and Rebecca, by Vander Cabel.
Christ sleeping, of the school of Carlo Maratti.
A view in Rome, by Gaspar D’Ochiale.
A landscape and cattle, by Cuyp.
A brisk gale, by Vandervelde.
A boy’s head, by Dubois.
Christ and the two Disciples at Emmaus, by Teniers.
A head of Richard Penderith.
A landscape, by Molyn.
A sea piece, by Vandervelde.
A landscape, by Vanderheyden.
A landscape, by Van Balen, with a holy family.
A sea piece, by Backhuysen.
A sea piece, by De Vlieger.
Two landscapes, by Both.
Chickens, a study, by Hondicooter.
A sea piece, by Vangoen.
A sea piece, by Ruysdale.
A frost piece, by Adr. Vandevelde.
A landscape, by Wovermans.
An inn yard, copy from Wovermans.
A moon-light, by Vanderneer.
A frost piece, by Molenaer.
A landscape, by Housemans.
Two Dutch views, Flemish.
Judith with Holofernes’s head, by Bronzino.
Jerome Cardan.
A hermit contemplating eternity, by Salvator Rosa.
St. Jerome, by Guido.
Public-domain text, read in full here on John Shaqi.
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