London and Its Environs Described, vol. 5 (of 6): Containing an Account of Whatever is Most Remarkable for Grandeur, Elegance, Curiosity or Use, in the City and in the Country Twenty Miles Round ItAnonymous
History
London and Its Environs Described, vol. 5 (of 6): Containing an Account of Whatever is Most Remarkable for Grandeur, Elegance, Curiosity or Use, in the City and in the Country Twenty Miles Round It
Anonymous
London (England) -- Description and travel -- Early works to 1800; London (England) -- Gazetteers -- Early works to 1800
Christ disputing with the doctors, a sketch, by Titian.
A holy family, by Schidoni.
A battle, by Salvator Rosa.
Two views of the Clitumnus and Avernus, by Wilson.
A storm, by Annib. Caracci.
A landscape, with the baptism of Christ, by Nic. Poussin.
Samson slaying the Philistines with the jaw bone of an ass, Val. Castelli.
Fred. Zuccaro’s picture, by himself.
Hercules and Antæus, by Rubens.
Hagar and Ishmael, by Le Sueur.
A woman making lace, by Scalken.
The fall of Simon Magus, a sketch, by Pompeio.
A shepherd and shepherdess with cattle, by C. du Jardin.
A landscape, by Dekker.
A girl sewing, by Ostade.
An ox, by Potter, the landscape by Vanderhyde.
The flight into Egypt, by Dominic. Antolini.
Hercules and Cerberus, a sketch, by Rubens.
A landscape and cattle, by Carree.
A landscape, by Brughel, the figures Rotenhamer.
Moses on the mount, by Jac. Bassan.
A landscape, by Dekker.
A copy of Guido’s Aurora, by Carlo Maratti, or Gius. Cari.
A landscape, by Mr. Wotton.
Lot and his daughters, by Elsheimer.
Christ in the garden, by P. Veronese.
A moon-light, by O. Giffier.
A landscape, by Berkheyde.
A landscape, by De Heusch.
A landscape, by Wynantz, the figures by Wovermans.
Christ’s agony in the garden, by Ant. Balestra.
John Baptist pointing him out to two disciples, ditto.
A landscape, by Vanderneer.
A landscape, by Fauquier, with figures, by Teniers.
A witch and devils, by Hellish Brughel.
A battle, by Wotton.
An old man’s head, by Rembrandt.
A landscape, by Borsam.
Venus coming to Vulcan to beg armour for Æneas, by Goltzius.
A landscape, by Gaspar Poussin.
A landscape, by Nicola Poussin.
Two heads, of an old man and an old woman, by Denier.
King Ahasuerus and Q. Esther, by Gabiani.
The sick man healed at the pool of Bethesda, by Erasmus Quillinius.
The last supper, by Jouvenet.
Head of a madona, with a book, by Elisabetti Sirani.
A landscape, by Studio.
Bustos, Statues, Bas Reliefs, &c.
A girl’s head, marble, after the antique, by Scheemaker.
A model of St. John Baptist in the wilderness, by Bernini, in terra cotta.
The judgment of Midas, an ivory Bas Rel.
Orpheus playing to the beasts, Bas Rel. Bronze.
Erato, Bronze, antique.
The statue of Fides Christiana, by Roubiliac, marble.
A model of St. Andrew, by Fiamingo, terra cotta.
A madona and child, in imitation of Rubens’s manner of painting, terra
cotta.
Ceres, after that in the Capitol, by Scheemaker, terra cotta.
St. Jerome, by Mich. Angelo, terra cotta.
A Bacchanalian boy, after Camillo Ruscoin, by Hayward.
A bust of Aratus, after the antique, by ditto, marble.
A model of Mr. Roubiliac’s statue of Fides Christiana, in terra cotta.
A model of Moses, by Mich. Angelo, terra cotta.
A model of Flora, by Roubiliac. ter. cotta.
A vestal, after the antique, by Hayward, marble.
A small antique bust of Æsclepiades, the Greek physician, marble.
ORMOND _yard_, Great Ormond street.
Public-domain text, read in full here on John Shaqi.
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