London and Its Environs Described, vol. 5 (of 6): Containing an Account of Whatever is Most Remarkable for Grandeur, Elegance, Curiosity or Use, in the City and in the Country Twenty Miles Round ItAnonymous
History
London and Its Environs Described, vol. 5 (of 6): Containing an Account of Whatever is Most Remarkable for Grandeur, Elegance, Curiosity or Use, in the City and in the Country Twenty Miles Round It
Anonymous
London (England) -- Description and travel -- Early works to 1800; London (England) -- Gazetteers -- Early works to 1800
Benjamin accused of stealing the cup, by J. De Wit.
Two landscapes, by Mola.
The battle of Amazons, after Jul. Romano.
Two landscapes, Vincaboon.
Mr. Handel’s picture, by Hudson.
Fowls, &c. Y. Wenix.
The passage of the red sea, by De Wit.
A concert of music, by Pasqualini.
Hero and Leander, by Elsheimer.
Two heads of Lodov. and Aug. Caracci.
A sea port, by Storck.
A pieta, Trevisani.
Christ, Simon the Pharisee, and M. Magdalen, by Lappi.
A view of Scheveling, a storm coming on, by Ruysdale.
A battle, by Mich. Angelo delle Battaglie.
St. Sebastian, by Guercino.
Bened. Castiglione, by himself.
A landscape, with cattle, by Cuyp.
The inside of the Jesuits church at Antwerp, by De Neef.
A landscape with cattle, by Rosa of Tivoli.
Æolus and the four winds, by Carlo Maratti.
Two heads of St. Peter and St. Paul, by Guercino.
Christ asleep, with two angels looking on, by Murillo.
A wounded stag swimming across a brook.
St. Jerome and the Angel with a trumpet, by Guercino.
A view of Sulftara, by Berchem and Both.
A battle of the bridge, by Bourgognone.
A landscape, with a Magdalen in it, by Albani, or Bartolom. Breenberg in
imitation of him.
A sketch of martyrdom, by Vandyke.
A horse watering, by Wovermans.
A landscape, by Adr. Vandervelde.
A copy of Raphael’s Heliodorus.
A sketch, by Rubens, of binding of Samson.
A sea port, by J. Miel.
A landscape, by Paul Brill.
A landscape, by Tillemans, or Houseman.
A sea piece, by Dubbels.
A chalk kiln, by Ruysdale.
A landscape, by Hobbima.
A moon-light, by Vanderneer.
A landscape, by Wynantz.
Hector and Achilles, by Nic. Poussin, or Pietro Testa.
Two landscapes, by Claude Lorraine.
St. Peter dictating the gospel to St. Mark, by Pietro di Cortona.
A landscape, by Verboom, the figures, &c. by Adr. Vandervelde.
Decollation of St. John the Baptist, by Mich. Angelo da Carravagio, or
Valentini.
A man’s head, by Ant. Moore.
A view of the Doge’s palace, after Canaletti.
A landscape, by F. Miel.
A calm, by Vandiest.
A battle, by Tillemans.
A Court de Guard, by Le Duc.
The holy child Jesus in the arms of Joseph, by Giuseppe del Solo, a
disciple of Carlo Cignani.
A landscape, by Solomon Ruysdale.
An ascension, the finished sketch for the King’s chapel at Versailles, by
Jouvenet.
A holy family, by Erasm. Quiline.
A landscape, by Croose.
A bag piper, by Albert Durer.
Two sketches, after Tintoret, one the trial of Christ, the other leading
him away.
A sea piece, by Van Cappel.
A landscape, by Sol. Ruysdale.
Dead game, with a dog and cat, by Fyte.
Two landscapes, by Mola.
A landscape, by Pynas.
A landscape and architecture, by Le Maire, with figures, by Phil. Laura.
A landscape, by Fauquier.
A village carnival, by P. Wovermans.
A holy family, by Carlo Maratti.
Two landscapes, by Bellin.
Christ healing the sick, a sketch, by Tintoret.
Fowls, by Cradock.
A landscape, by Nic. Poussin.
Riposo, F. Vanni.
A cartoon head, by Raphael.
Public-domain text, read in full here on John Shaqi.
London and Its Environs Described, vol. 5 (of 6): Containing an Account of Whatever is Most Remarkable for Grandeur, Elegance, Curiosity or Use, in the City and in the Country Twenty Miles Round It — John Shaqi
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