London Impressions: Etchings and Pictures in PhotogravureMeynell, Alice
General
London Impressions: Etchings and Pictures in Photogravure
Meynell, Alice
London (England) -- Description and travel; London (England) -- Pictorial works
On Westminster Bridge at early morning Wordsworth thought of the heart of
London, but a view of London in the long day and night of movement, when
the mystery of sleep is away, suggests not the involuntary heart of men,
but their wilful feet. The roads, which are lonely messengers in the
far-off country, crowd together here, and hustle one another to give
footing to the tramp of the people. London has a fantastic look, as though
there were nothing to do but make haste to be gone. To look at London from
some point of height--a rare opportunity--is to trace these ways of
passionate escape. The roads, indeed, seem eager, but you know that the
crowds who, by these curves and knots, these straight lines, and these
intent, narrow, dark grey levels, traced with narrower steel, elude the
town, are in no more than jog-trot haste, and wear no look of fugitives.
Of them and of their detail there is no sign in this distant prospect. The
movement of the people in London is here no more perceptible than the
molecular motion in a diamond.
[Illustration: _A Coffee Stall._]
But the roads are all expressive of this energy of flight from a centre.
They are, as it were, signs of a perpetual explosion; they are the fringe
of the _mêlée_, the shooting, streaming outbreaks of the photosphere of
London. They hunt and are hunted. They fly from the city of confusion. It
is only by escaping that they become visible, and out of the uncertainty
of the smoke the hasty roads clear themselves as they make for light and
the open ground. It seems as though the steady strength of their curves
did in itself express some force and impulse. The railways run; their
foreshortened sweeps and reaches look like the swinging and swaying of
resolute motion. The town would shoulder them, but they evade and slip
through, slender and keen, with a stroke of their flying heels. They
crawl, but they crawl with the dominant level and liberty of flight in
air.
They begin in the tangle of the town, but smoothly untie themselves and
pass away single and swift. No other road looks so resolute in flight as
the rail. The others jostle one another as they hurry from town, and must
needs relax their eagerness in order to climb the hills--brief and little
ones though these are. The roads pause on the mounds, they hesitate at
crossways, and they dip into slight and shallow valleys, whence they do
not see the riot of walls and roofs from out of which they go.
Public-domain text, read in full here on John Shaqi.
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