LONDON DURING THE CIVIL WARS. Charles I. unfurled his standard at Nottingham, in the month of August, 1642, and staked his crown and life on the issue of battle; a high wind beat down the flag, an evil omen, as it was deemed by some who saw it, and a symbol, as it proved, of the result of the unnatural conflict. Sadly was England's royal standard stained before the fighting ended. London took part at the beginning with the parliament. Its Puritan tendencies; its awakened indignation at the assaults made by misguided monarchs and their ministers on conscientious, religious, brave-hearted men; its long observation of Stafford's policy, which had roused the displeasure of the citizens, and led to riots; its jealousy of the constitution being violated and imperiled by the arbitrary proceedings of Charles, especially by his attempt to reign without parliaments; and, added to these, a selfish, but natural resentment at the exorbitant pecuniary fines and forfeitures with which it had been visited in the exercise of royal displeasure, contributed to fix London on the side of those who had taken their stand against the king. One can easily imagine the busy political talk going on at that time in all kinds of dwellings and places of resort--the eager expectancy with which citizens waited for news--the haste with which reports, often exaggerated, passed from lip to lip--the sensation produced by decided acts on either side; as when, for example, Charles went down to the House of Commons, demanding the arrest of five obnoxious members, and when the House declared itself incapable of dissolution save by its own will--the hot and violent controversies that would be waged between citizens of opposite political and religious opinions--the separation of friends--the divisions in families--the reckless violence with which some plunged into the strife, and the hard and painful moral necessity which impelled others to take their side--the mean, low, selfish, or fanatical motives which influenced some, and the high, pure, and patriotic principles which moved the breasts of others--the godless zeal of multitudes, and the firm faith and wrestling prayer that sustained not a few. These varied elements, grouped and arranged by the imagination upon the background of the scenery of old London, in the first half of the seventeenth century, form a picture of deep and solemn interest.