Inscriptions -- England -- London; London (England) -- Antiquities; Signs and signboards
Our quaint old chronicler, John Stow, says that Pie Corner was ‘a
place so called of such a sign, sometime a fair inn for receipt of
travellers, but now divided into tenements.’ Strype in 1720 describes
it as noted chiefly for ‘Cooks’ Shops and Pigs drest there during
Bartholomew Fair.’ There are several allusions to it in Ben Jonson’s
‘Alchemist’ and other plays. The sign of the Pie probably implied
the bird now usually called a magpie, but it might have been derived
from the Pye,[4] or rules for finding out the service of the day in
the Roman Breviary, or from the good cheer provided in this immediate
neighbourhood. Larwood and Hotten mention a stone sign of a Naked Boy
with the date 1633 at Skipton-in-Craven.
A stone bas-relief of that mythical person, Guy, Earl of Warwick, is
still preserved on a house at the corner of Warwick Lane and Newgate
Street. The figure is represented standing on a pedestal in chain
armour, with a conical helmet, a sword in his right hand, and on his
left arm a shield chequy, or and azure, with a bend sinister ermine.
This seems to be wrongly copied from Guy’s shield in the Rows Roll,
which has a chevron ermine, but one arm of the chevron is, from the
position of the shield, so foreshortened that it can hardly be seen;
hence the mistake. Above is the date 1668, on one side the letters
G. C., standing, I suppose, for GUIDO COMES; on the other a coat of
arms, three mascles on a bend, to whom belonging I cannot say, so many
families have this charge. Below is the inscription: ‘Restored 1817. J.
Deakes, Archt.’
Public-domain text, read in full here on John Shaqi.
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