Inscriptions -- England -- London; London (England) -- Antiquities; Signs and signboards
The general design somewhat resembles that of a large figure in the
chapel of St. Mary Magdalen at Guy’s Cliff, near Warwick, which, as we
learn from a modern inscription in Latin, was hewn out of the living
rock by order of Richard de Beauchamp, Earl of Warwick, in the reign
of Henry VI., to mark the spot where Guy was thought to have ended
his days. This Richard de Beauchamp obtained license to found here
a chantry for two priests, and annexed land thereto to the value of
twenty-four marks per annum. It had before been a hermitage. Stow tells
us that ‘Eldernesse lane, which stretcheth north to the high street
of Newgate market, is now called Warwicke lane, of an ancient house
there, built by an Earl of Warwicke, and since called Warwicke Inn.’
Elsewhere he says: ‘In the 36th of Henry VI. the greater estates of
the realm being called up to London, Richard Nevill Earl of Warwick
came with six hundred men all in jackets embroidered with ragged staves
before and behind, and was lodged in Warwicke Lane, in whose house
there were oftentimes six oxen eaten at breakfast, and every tavern
was full of his meat, for he that had any acquaintance in that house
might have there so much of sodden and roast meat as he could prick and
carry away upon a long dagger.’ At the beginning of this century the
house to which the statuette belonged was occupied by a Mr. Parry; an
inscription over the door stated that it had been a tobacconist’s shop
since 1660, no doubt rebuilt.
A well-modelled bas-relief of a woman’s head, probably intended to
represent Minerva, is on a house belonging to the Leathersellers’
Company, at the corner of Old Jewry and Gresham Street. She has
a helmet or diadem, and on her breast the Gorgon’s head; an ægis
also seems to be suggested. On each side are festoons of fruit and
flowers; the material I believe to be terra-cotta, but it is so thickly
coated with paint that one cannot be sure. Archer, who drew this
sign, thought it was a fragment of sculpture from a building of the
early part of the sixteenth century, and it seems to have something
in common with Italian terra-cotta work of that period; for instance
the medallions[5] executed by Joannes Maiano for Cardinal Wolsey, and
still existing at Hampton Court. Before the house was modernized, on
the brick wall, below the head of Minerva, there was a carving of
the Leathersellers’ Arms; and so, being used as a tavern during the
eighteenth and nineteenth centuries, until 1871 it was known by the
sign of the Leathersellers’ Arms, or latterly the Three Bucks’ Heads.
Of the sculptured head of Minerva no record exists. This property seems
to have belonged to the Leathersellers’ Company ever since the year
1565, when Edward Taylor, who had been its master, left by will to the
company two messuages in St. Olave’s, Jewry, to distribute among the
poorest people in the Poultry Compter a kilderkin of beer and twelve
pennyworth of bread, and the same to Wood Street Compter, Newgate, the
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account